
Aw, yes. I’m pretty sure that’s what EP Bruce Reichert warned us last June, before we headed up to North Idaho to shoot our upcoming Outdoor Idaho program on adventure racing. To a certain extent, he was totally right! Shooting any kind of competitive event is rarely easy, let alone an adventure race that spans two days and 50+ miles in the wilderness surrounding Lake Pend Oreille! To pull this off, I ended up producing a crew of four photojournalists: IdahoPTV staffer Jay Krajic and freelancers Seth Ogilvie and Hank Nystrom. I was the fourth photographer, which should tell you something about our desire to be resourceful and save money! I am nowhere near as good as my colleagues, but I tried my best to cover the spots they couldn’t.
If you’ve never heard of adventure racing before, let me
give you a quick description. It’s basically a bunch of insanely diverse
athletes who navigate and orienteer their way through the wilderness using a
compass and a race manifesto. There are sections of the race dedicated to either
hiking, running, descending, biking, swimming, kayaking, etc. The racers have to
find a certain number of mandatory “checkpoints” and can go for more points by
looking for “optional” checkpoints. The team with the most points wins. The
races are designed to last anywhere from a couple hours for beginners to seven
days for the really good teams. As I learned through researching this story,
Idaho has a lot of potential for hosting these races because of our abundance of
natural resources and access to public lands.
In order to capture our athletes at their best and worst moments along the race, we had to make sure our crew would be situated at different parts of the course. More importantly, we had to find a way to get from point to point. There’s no way we could keep up with these athletes on foot carrying 30 pound cameras and tripods! Thank goodness race organizer Todd Jackson hooked us up with the generous men and women of Kootenai County Search & Rescue. For two days, they helped us stay on the trail of the team we were profiling, the Funtastics Adventure Racing Team. I’m serious when I say they went above and beyond the call of duty! They took us up windy, gravel paths in their trucks, through the woods on ATVs, by boat down Lake Pend Oreille, and delivered our equipment via dirt bike to the top of Chilcote Peak. For most of the race, our crew was spread out and unable to communicate (we were too far from each other for the signals to work and our cell phones had VERY limited reception).
If we include a blooper reel with this
production, I’d love to show you an unnamed photographer slipping and
falling—TWICE—while chasing after the racers through wild brush. Hank and I had
our own adventure, too. As we shot video of the kayakers in the water, the
weather did a complete 180 and turned from sunny and hot to thunder, rain and
lightning! Being in a motorboat in the middle of the lake was the last place we
wanted to be at that time.
Another little tidbit: we started our days at 5am and ended well after midnight on both Saturday and Sunday night. Though we were sleep deprived, hungry and finished with our production by Sunday evening, Seth insisted upon making one last attempt to run up a steep mountain for the sake of capturing some images of the racers reaching the highest and most scenic peak in the race. He pulled it off. Unbelievable!
I know I sound like I’m emphasizing the more painful aspects of this shoot. Overall, though, we were absolutely floored by the breathtaking views we saw along the journey and the determination of the men and women who partake in adventure racing. Watching them solve some very difficult challenges and witnessing the team work involved was worth EVERY sore muscle and challenge we faced. I love my job because it enables me to see a side of Idaho I may have never been exposed to. I can’t wait to share the final story with you all in November. You will be inspired by the athletes we follow and motivated to get up and explore Idaho’s amazing resources!
We’ve all watched wilderness video that, frankly, seemed pretty darn tame.
Well, you won’t be saying that about this footage!
Earlier this month, John Crancer and Chuck Cathcart joined up with outfitter John Barker, for a trip down the Jarbidge and Bruneau rivers. It was for a program we hope to air in 2010, on the newly-created Owyhee wilderness area.
But it turned into the trip from hell. It rained the entire time. Rocks broke free from the cliff, creating a new difficult rapid that ate one of the rafts. As Chuck describes some of the action, “I ran down the trail to see if the others were safe, and I saw John standing on a rock in the middle of the river. The raft he had been riding in was now wrapped around a rock.”
“The river was running fast and everything was crazy,” recalls Chuck. “I saw the second raft go into the rapids, and the oarsman was thrown into the churning water. My heart was pounding.”
You can watch the crew try to navigate the new rapid and Jarbidge Falls in this short video clip. (This video is also on our Outdoor Idaho Facebook page, with comments from viewers.)
Like many Americans, I had heard about the Special Olympics since their establishment in 1968. But I had never been to any competitions. When it was announced a few years ago that the Special Olympics World Games would come to Boise in 2009, it seemed like a natural fit for an “Outdoor Idaho” documentary.
On a visit back to Washington, DC, though, I met with representatives of the Special Olympics to learn more about the scope of the event, and I started getting a little nervous about covering it! With thousands of athletes from nearly 100 counties, how would I narrow down who and what would I feature?
Initially, I had hoped to follow a foreign athlete to Boise, but that eventually seemed impractical. I decided to concentrate on some of the Idaho athletes. We’ll include several of their stories in the program, as well as video of athletes from other countries. Editor Jay Krajic will work his magic on the footage, shot in four different locations and by nine videographers. I hope you are as inspired as we were by the tenacity and spirit of not only the competitors, but also of the families, trainers and volunteers who devote countless hours to helping the athletes achieve their dreams.
View a clip of the upcoming show.
Hi-bandwidth: Play here
Download ![]()

Snowboarder Alicia Paulin of Caldwell smiles after completing a run down Dollar Mountain in Sun Valley. Alicia, who is both cognitively challenged and sight-impaired, is a student at the Gooding School for the Deaf and Blind.
You can turn a lousy dinner of cottage cheese and crackers into a delectable dining experience if you crack open their portable packaging in the right place. In this case, Grays Lake National Wildlife Refuge at sunset. I’ll never forget the symphony of wild sounds serenading our crew on that summer evening.
Grays Lake is one of the six National Wildlife Refuges in Idaho that we visited while shooting Outdoor Idaho’s new show ‘Seeking Refuge’ airing May 14th and 17th.
We used every hour of daylight to capture natural beauty, only stopping for a few minutes to eat at the edge of a pond. Naturally, those few minutes of eating turned into gathering footage between bites when we realized all of the bugs and birds singing around us.
Beyond birds, a few curious cows crowded our lens for face time and the carp at Bear Lake National Wildlife Refuge displayed their fertile aggression. After decades of trying to keep out the fish, the ‘hog with fins’ as biologists refer to it, is still gaining ground.
At Camas National Wildlife Refuge, a fine southern couple from Alabama let us tag along for ditch riding. They volunteer as goodwill guardians, keeping Camas and its migrating animals in nature’s worthy state.
Farther north, Kootenai National Wildlife Refuge offers a change of scenery. This is the only refuge in the state with true forest-like characteristics rather than desert sage and marshland so common in Idaho’s refuge system, which also includes Minidoka and Deer Flat.
More than one year after shooting began, ‘Seeking Refuge’ is ready to delight viewers. And trust me on this—keep the volume punched high. The sounds are just as wonderful as the sights in this show. In fact, I’ll be sitting down with a cup of cottage cheese and a few crackers when I watch it in May.
A program about the Oregon Trail in Idaho has been on our "idea" list for several years.
We decided the overarching theme of our production would be a "now and then" look at the Oregon Trail. We would contrast the landmarks the pioneers viewed with what travelers see today when they retrace the same routes.
With the help of the staff and volunteers at Montpelier's Oregon-California Trail Center we were able to find five wagons and drivers and a couple dozen "walkers" to recreate the descent down Big Hill. We were even lucky enough to find a team of oxen to pull one of the wagons.
Organizing this large collection of people and animals wasn't easy. The team of oxen bolted when they smelled nearby irrigation water, fortunately stopping at a fence they easily could have plowed through. We also had two teams of horses take off with wagons, luckily to be recovered down the road with no major damages.
Big Hill is so large that even with three cameras it was tough to cover all the angles. The other logistical problem was that once the wagons started down the hill there was no stopping. It was tough for our photographers to stay ahead of the group to set up for the next shot. Though it turned into a real "run and gun" shoot we think we captured some of the spirit of that notable landmark. 
We also photographed two other reenactments for the program, one on the relatively pristine eastern side of the Fort Hall Reservation and another at the annual Three Island Crossing Event. We hope these scenes and those from Big Hill will give viewers a better appreciation of what the emigrants experienced.
I know from my own personal experience and our photographers that riding in one of those old wagons is a lot rougher than you can imagine. It's easy to understand why most of the emigrants walked.
It's amazing how many different routes of the Oregon-California Trail there are in Idaho and how many significant sites are in our state. Between documenting the major landmarks, following the modern wagon trains, coordinating the reenactments and researching paintings and photographs, our summer calendar quickly filled with Oregon Trail assignments.
To see how it all turns out, tune in during our March Festival, on the 5th, for "Pathways of Pioneers: Idaho's Oregon Trail Legacy."
Recently a reporter from the Idaho Statesman asked me when I started working on the Winter Play program. She was surprised when I told her almost two years ago. Back in the summer of 2007, I took on the assignment to do a winter show that was "different." Winter Play is the result. I tried to showcase activities folks do in the winter that are not only fun, but also slightly offbeat. I hoped to show viewers something they hadn’t seen before or to help them learn more about a sport they thought they already knew. Along the way, I had fun and met some delightful people. Of course, a few things happen to us while we were shooting each piece, things that you won’t see on the program, so take a look at a few pictures . . .

Curling
Of all the sports featured
in Winter Play, curling was the one I would be most likely to do. It
looked like everyone was having fun inside the rink. While we were shooting
it was 30 degrees below zero outside the rink. We managed to crack a plastic
piece of the car door just by opening it and to break the tripod on the ice.
Man, it was cold going in and out with the equipment!

Skijoring
We couldn’t have asked for a
prettier day to shoot than the day we videotaped the McPaws Iditarod. Skijoring
is an old-time sport, but not well known in Idaho. We were lucky to have help
from the nice folks at Tamarack to get some great shots of Gracie running. Dave
Butler, my videographer on this piece, faced one hazard I missed. One of the
four-leg competitors mistook his leg for a local tree.
Extreme 4x4ing
The
North Idaho Trailblazers went out of their way to help us film their backcountry
4x4 run. Chuck Cathcart, my videographer on this piece, and I were in separate
cars. I
had a great time with my hosts, Bruce and Tara Gunnison, and we returned to the
base before 5:00 p.m. but Chuck’s group didn’t appear. I didn’t worry for the first
hour or two, but then I started to get concerned. Not only was I worried about
him, but I also realized that he had the keys to our car. I was stranded until
he returned. I attended the Trailblazers dinner that night and waited until well
after 9:00 p.m. when Chuck’s group finally showed up. One of the cars in their group
had broken down, and the first rule of winter 4x4ing is that you always make sure
the other guy gets out. I
was certainly glad when Chuck rolled in and he appreciated the dinner we’d saved
for him.

Snowkiting
Betsy
Russell, Boise Bureau Chief for the Spokesman Review, gave me the idea for this
piece, but videographer Chuck Cathcart deserves a lot of credit for actually
having it in the can. The day he shot the snowkiters on the Camas Prairie, I was
sick in bed. Fortunately, our featured snowkiter, Eddie Petranek, is a good
sport and he and I went out for the interview on another day.
The Great Polar Bear
Challenge
The first piece we shot is the last piece in the program-
The Great Polar Bear Challenge. These brave, but admittedly slightly crazy
people jump into the icy cold water of at Spring Shores Marina at Lucky Peak on
New Year’s Day. They do it to raise money for the Make-A-Wish Foundation. While
I have no desire to jump in, our Idahoptv colleague Kelly Hagans made the
plunge. Check out his before and after pictures.

Winter
Play
Bruce Reichert did a great job hosting the show and was a good
sport about having the people at the Steelhead’s hockey team shoot pucks at his
body. And I’d like to especially recognize the show’s editor, Sauni Symonds.
Sauni worked for weeks and did an incredible job. It was an honor to work with
Sauni, Bruce, all the videographers, and it was wonderful to meet so many nice
people.
The Idaho Legislature is coming back to town. The big topic on everyone's mind this session? The budget, of course. Who will be funded? Who will be cut? From what I hear, no one is really keen on proposing new spending on "non-essential" programs. I'll wait for the session to officially start before I start naming off any specifics.
It'll also be interesting to see how the incoming Obama Administration and subsequent federal decisions will affect local events here in Idaho. Will we see any public works projects come our way? How will those projects fit in with the governor's plan?
Needless to say, we'll have more than enough to talk about on this season's Idaho Reports. I'm busy getting ready for the show's "double" premiere next week. On Monday, Jan. 12, we'll be covering Gov. Otter's "State of the State and Budget" address live. I'll have some really great analysts on the show who can shed some light on the meaning of the governor's proposals — especially in this tough economy. On Friday, Jan. 16, we'll air our first official show of the legislative session. I promise you it won't be boring!
On the aesthetic end of things, we've changed the Idaho Reports logo this year, and I think it looks fabulous. I am also opting for a slightly different format compared to previous years. Each week, we're planning to have a special guest on the show, someone whom I'll call our "headliner." I'm a reporter at heart, so I'll do my best to produce a story for each show that is focused on an important issue being considered by lawmakers. We'll finish off each program with a lively roundtable discussion. I can tell you BSU Professor Emeritus Dr. Jim Weatherby and Betsy Russell of the Spokesman Review will be regular contributors. I'm also aiming to diversify the panel by bringing our viewers different perspectives from current and past lawmakers, state agencies, watchdog groups, lobbyists, economists and everyday citizens. I say we shake things up a bit and switch up that roster as much as possible!
The bottom line is I want to make Idaho Reports a gathering ground for thoughtful conversation about state politics. I'll always be wondering how we can make the show more interesting in a way that doesn't sacrifice substance. I figure politics is so fun to cover — why shouldn't it be something that is also easy for viewers to consume? That's why we're making a special effort to reach out and engage with our audience through social media sites such as YouTube, Facebook and Twitter. I'll be updating those sites several times a week . . . and I'd love to hear from you!

The return of the wolf to Idaho and neighboring states has been a bitter pill for some and a source of satisfaction for others.
Ranchers, avid elk hunters, and a lot of my neighbors from rural Idaho — these are some of the folks angered by efforts to return a calf-eating carnivore to the countryside.
But most of my city friends seem to have no problem with the wolf's return.
Frankly, I don't think these two groups will ever agree.
Maybe that's the best reason in the world for us to produce an OUTDOOR IDAHO show on the wolf.

We've hesitated to tackle an entire show on wolves, primarily because wolf footage is hard to come by. What isn't hard to find are angry Idahoans and passionate defenders. And of course, we can find the wolf biologists. It's those dang wolves that are so hard to find.
But in October of 2009, we will explore what it takes to live with the wolf. We're mentioning it now, in case you have a story or, better yet, some usable wolf video.
The wolf has been on the Endangered Species list, off the Endangered Species list, and back on the list. Who knows, in ten months the state of Idaho might again be in the driver's seat, as the ones managing the wolf.
It's a rapidly changing story, but one thing seems to be holding steady. Everyone I've talked with says — like it or not — the wolf is here to stay. So deal with it.
"Behind the Scenes at Idaho Public Television" with The Osher Lifelong Learning Institute
When they started arriving 15 minutes early, we knew they weren't your ordinary "students." Indeed, most of them were older than us and had already received their college degrees. They also shared a common belief, that there were still things to learn in life, even if that meant going back to school.
Last week our Production team
spent more than two hours with fifty members of Boise State
University's Osher Lifelong Learning Institute. The group's director, Ellie
McKinnon, had asked if we would offer a two-hour "Behind the Scenes" class on
how television is made. We were happy to oblige. In fact, we've put together a
photo montage of that
evening.
Afterwards, Ellie wrote to thank us. "What a remarkable, rich learning experience you provided . . . What talent and experience, expertise and good humor you exhibited, and what respect you garnered."
We knew they weren't your ordinary students!
A program about the Oregon Trail in Idaho has been on our "idea" list for
several years. It was a project we wanted to do at some point because other
Oregon Trail documentaries have devoted minimal time to the Idaho section of the
trail.
The impetus to get moving on the program was a phone call from the Oregon-California Trail Center in Montpelier, Idaho. They were hoping to work with us on a co-production on the Oregon Trail that would feature Big Hill, near the center and other notable landmarks along the trail in Idaho.
When we also learned that in the summer of 2008 the national meeting of the
Oregon-California Trails Association would take place in Nampa, the decision to
move ahead was finalized. A couple of other events during that same summer also
perked our interest. There would be two "modern day" wagon trains travelling
from the Montpelier area west. Most of these modern wagons have rubber wheels
and co
ntain all the conveniences of a small RV.
One modern wagon train would take the Hudspeth Cutoff and complete its trip near Burley in time for Snake River Heritage Days. The other would travel all the way across the state, first on the main Oregon Trail and then on the Jeffrey-Goodale Cutoff. That wagon train would finish their trip at the site of the national convention in Nampa. It appeared there would more than enough material for our program.
We decided the overarching theme of our production would be a "now and then" look at the Oregon Trail. We would contrast the landmarks the pioneers viewed with what travelers see today see when they retrace the same routes.
We thought weaving the two modern wagon trains into the program would help
transport viewers across the state to many of the historical spots. The
challenge was to document their journeys intermittently along the way without
spending the weeks the actual trips would take. As in the 1800s though, our
modern wagon trains weren't always on an exact schedule and finding them in the
hinterlands of Idaho was often an adventure.
In addition to dealing with the modern wagon trains and other "present" scenes along the trail, we also wanted to give viewers a real taste of history. As in other historically focused productions, such as Lewis and Clark we opted for "reenactments." Of course, finding authentic-looking Oregon Trail style wagons along with teamsters willing to drive them was not an easy task.
With the help of the staff and volunteers at Montpelier's Oregon-California
Trail Center we were able to find five wagons and drivers and a couple dozen
"walkers" to recreate the descent down Big Hill. We were even lucky enough to
find a team of oxen to pull one of the wagons. Organizing this large collection
of people and animals wasn't easy. The team of oxen bolted when they smelled
nearby irrigation water, fortunately stopping at a fence they easily could have
plowed through. We also had two teams of horses take off with wagons, luckily to
be recovered down the road with no major damages.
Big Hill itself was another challenge. It's so large that even with three
cameras it was tough to cover all the angles. The other logistical problem was
that once the wagons started down the hill there was no stopping. It was tough
for our photographers to stay ahead of the group to set up for the next shot.
Though it turned into a real "run and gun" shoot we think we captured some of
the spirit of that notable landmark.
We also photographed two other reenactments for the program, one on the relatively pristine eastern side of the Fort Hall Reservation and another at the annual Three Island Crossing Event. We hope these scenes and those from Big Hill will give viewers a better appreciation of what the emigrants experienced. I know from my own personal experience and our photographers that riding in one of those old wagons is a lot rougher than you can imagine. It's easy to understand why most of the emigrants walked.
In addition to photographing the reenactments, we've interviewed a number of
trail experts and historians to help bring the past alive. We needed their
expertise to help us sort out the history. It's amazing how many different
routes of the Oregon-California Trail there are in Idaho and how many
significant sites are in our state. Between documenting the major landmarks,
following the modern wagon trains, coordinating th
e reenactments and researching
paintings and photographs, our summer calendar quickly filled with Oregon Trail
assignments.
We now have much of the material "in the can" and are in the process of trying to figure out how to sum up decades of history, show viewers what they can still see, and explain why it all matters today. It may not be the extreme challenge faced by the pioneers, but from start to finish our Oregon Trail documentary will be one long journey.
To see how it all turns out tune in during our March Festival for "Pathways of Pioneers: Idaho's Oregon Trail Legacy."
Remember the movie “Journey to the Center of the Earth”? I thought about it the other day, when cameraman Al Moreno and I were 3,000 feet underground.
We were touring the Galena Mine in the fabled Silver Valley, outside Coeur d’ Alene, for an OUTDOOR IDAHO show called “Mining Idaho.”
It sure was a lot hotter and more humid than that 1959 movie said it would be! But the 250 workers didn’t seem to mind. They were just happy to be making good money again, underground.
Both Al and I were impressed with the sights and sounds, and the size of the tunnels underground. Large vehicles operated with ease, and there was enough air pumped into the mine to make breathing easy, even with the diesel-operated machines.
And the people we met underground were hard-working and eager to tell their story. They were definitely proud to be miners.
Back in the 1980’s, when the price of silver dropped, and most of the mines closed, the Environmental Protection Agency declared the Silver Valley a giant SuperFund site.
It was a designation that stung. But, as retired state geologist Earl Bennett opined, “Superfund was yesterday’s story.”
Earl was our tour guide. You may remember him from our 2005 program, “Silver Valley Rising,” where he walked us through “the sins of the fathers.” Today, he’s confident that those sins will not recur. For one thing, the Bunker Hill smelter, which poured lead and other toxins into the air, is gone. And now there are stricter regulations in place. “This is not your father’s mining industry. They want to be good neighbors.”
Many of the residents of Boise, Idaho, are hoping that’s the case, because mining activity near Atlanta could impact the Boise River, says Idaho Conservation League spokesman John Robison. “There may be gold up in the mountains in Atlanta, but the real treasure is clean drinking water, and it’s certainly more precious than gold.”
With the price of metals now at historic levels, “Mining Idaho” will explore the changing face of mining in the West.
It’s a topic that may sound pretty boring. But tune in October 30th, because we’re also going to feature a gold prospector, who will tell you exactly where the gold is!
The East fork of the South fork of the Salmon River, near Yellow Pine, claimed a good man, and a good friend of Idaho Public Television and Outdoor Idaho.
Bill Studebaker died over the 4th of July holiday, doing something he truly loved to do, something most of us would never do: kayaking arguably the most dangerous river in Idaho.
Bill was made for television. Warm, intelligent, photogenic, he was the guy we went to when we needed excitement or analysis and reflection. In fact, Bill was probably in more Outdoor Idaho shows than anyone else!
He was around the campfire for our 25th Anniversary show. He was around the campfire for our 20th Anniversary show. (He drove my ATV up to Hard Butte Lake for that shoot, and had to go over some rough terrain. Said it scared him more than the river.)
He read a poem for our "City Made of Stone" program, in 1994, at the City of Rocks.
He jumped into the rapids where William Clark turned back, on the Salmon River, for our "Lewis & Clark in Idaho" program, just because we needed someone to look like he'd been thrown from a dugout canoe.
He was the heart and soul of "Extremely Idaho," our February '08 program, as he and his friend Mike Copeland performed a wild kayak ride down an icy waterfall at Thousand Springs. Not once, but twice, for the camera.
And for a show yet to air, Bill kayaked down a snowy mountain in the Sawtooths. A group of volunteers got to see that segment last month, for our Volunteer Appreciation Day. They found it delightful and crazy.
That was Spill. Delightful and crazy. Warm and generous. And really smart.
But my favorite segment with Bill Studebaker is featured in our "River of No Return" show, when he
talked about the plight of the salmon and what it means to everyday Idahoans.
It combined so much of what, to me, was special about Bill. A man who could make poetry work for him, as he talked about the lifecycle of the salmon, dying in the very water that gave it life, so that the logger and the truck driver could understand what was being taken from them in the name of progress.
Come to think of it, Bill could have just as easily been talking about himself.
We'll miss you, Bill.
This summer our small but mighty Production Team will be crisscrossing the state to bring you stories about wild fire and pioneers on the Oregon Trail; about underground mining and a 5th generation ranch family; about wildlife refuges and wooden boats. And even stories about dinosaurs.
Here's a thumbnail about some of them.
Wild FireOn August 20th of last year, the state was primed for another calamitous fire season. Folks were worried that 2007 could be as bad as the historic Great Blowup of 1910. Luckily, we did not experience the two days of hurricane-force winds that made the 1910 fire the nation's largest and deadliest.
Still, almost 2 million acres burned in 2007. So, what's happening out there? Why have things gotten so bad?
Outdoor Idaho will explore the new face of "Wild Fire" on Thursday, July 24th.
How many ranches can trace their lineage back 130 years, through five generations? Butch Small, a former rodeo champ, runs the Small Cattle Company near Dubois, along the Continental Divide.
You'll meet this wonderful family, along with a couple of "dudes" who pay to work at the cow camp. This program will air in September.
Gold, silver, lead, zinc and copper –
these have been the staples of Idaho's mining industry for 150 years. Add to
that list molybdenum, cobalt, and phosphate, and you have a mining industry that
is truly statewide.
We will explore the complexity of mining today, using real-life examples from Silver Valley, Atlanta, the Thompson Creek molybdenum mine, the Smoky Canyon phosphate mine, the Rock Creek silver and copper mine on the Idaho-Montana border, and others. This program will air in October.
We'll relive that amazing period of America's push westward, as families risked everything to find the new promised land. Some of this has already been shot this summer, but many of the re-enactments have not, like bringing wagons down the steep hills outside of Montpelier.
We're hoping no one, including the animals, gets hurt. This program will air in March of 2009.
D4KContinuing a tradition that spans a decade, this science-oriented program for school kids will revisit the popular topic of dinosaurs, this time by traveling to Dinosaur National Monument. Look for this program during the upcoming school year.
And be sure to check out the great website at http://idahoptv.org/dialogue4kids/.
"Can you pick up some mice? I have to feed the hawks." This was a strange request to get over the phone, but I needed a close-up of a Ferruginous Hawk and a Wildlife Refuge outside McCall had one. If sharing a ride with some sacrificial mice was what it took to get the shot, I was willing. After a quick stop at a local pet shop I was on my way up Highway 55 with a box full of white mice.
It was a pleasant drive, and I was admiring the
Payette River when just before Banks, I felt something crawl up my leg. The mice
had made their escape by chewing a hole in their box and were now scampering
wildly around the truck. I pulled to the side and furiously began grabbing at
the little white fur balls. Soon both hands were full of mice, but what to do
now? I had to let them go while I found something to hold them. I finally got
all 12 excited rodents in a plastic box, made it to McCall, and got the
shot.
Who knew producing a bird show was so dangerous?
Surviving marauding mice was just one of the adventures I had while producing "Birders, Banders and Binoculars" for OUTDOOR IDAHO. It is a program about people who study, watch and - most of all - love birds. While making this program, I had the pleasure of meeting many people who have a passion for wildlife and the natural world. This program is my attempt to share that passion with a larger audience.
The Northern Saw Whet is not rare or particularly hard to catch except when OUTDOOR IDAHO cameras are around. Videographer Jay Krajic and I spent three nights in the Boise Foothills trying to get video of the capture and banding of an owl. The first two nights we stayed at the Idaho Bird Observatory until almost five in the morning, with no luck, just to be told that they caught one just after we left.
On the third night I was ready to give
up, but Jay is a real trooper and wanted to give it one more chance. Sure
enough, they caught one! If you listen closely to the audio during this segment
you might hear me jumping up and down with excitement!
Idaho has lots of hummingbirds. I spent a day at the beautiful Rudeen ranch just south of American Falls and shot video of people banding the tiny birds. It was a special shoot with very friendly people, great lighting, and the largest number of hummingbirds I have ever seen in one place at one time.
Bird watching is said to be the most popular
outdoor activity in the US. I was very fortunate to spend some of my summer
bird-watching through the lens of a video camera, near the Foothills Center on
8th Street in Boise. It took a while for the birds to get used to me, but
eventually they came around. A lot of those shots made it into the bird watching
segment, and some of them have real meaning for me. You just had to be
there!
Birds are in trouble across the globe, and I admit to an ulterior motive for making this program. Birds have meaning for us both spiritually and environmentally, and we should listen to what they have to say.
Wading into the energy debate is a scary
proposition. It’s soooo confusing.
But there are some things we know. It’s
better for a nation to be energy independent than to be beholden to others. And,
There’s another thing I have learned in the
past few weeks.
Take wind power, for example.
Drive twenty minutes south of
I really thought I’d find them noisy and a distasteful blight on the environment. Instead, my cameraman Norm Nelson and I found them compelling and fascinating. We felt like we were looking at the future of energy in the West. Supposedly, there are plans to plant many more turbines in that area. I say Hurray!
Geothermal energy is also a big alternative
energy source. But to see the plant, you have to drive about 50 miles off the
interstate, into the
In the 1980’s the U.S. Department of Energy located 300 degree water under ground--more than a mile under ground. At that temperature, geothermal energy becomes a viable operation.
The 300 degree water flows through
pipes, from the source to the site, where it heats isopentane, turning it from
liquid to gas. Scientists discovered that isopentane, which is similar to butane
in cigarette lighters, flashes to a gas at much lower temperatures than does
water.
"We're able to superheat that gas and run it through a turbine at much lower temperatures than you would with steam, and so then we run the turbine, it drives the generator, that produces electricity," says Chris Harriman, plant manager for U.S. Geothermal.
If handled properly, this source of green energy could eventually generate forty, maybe even 100 megawatts of steady power, the kind engineers call base load power. That's power available 24 hours a day, regardless of whether the sun is shining or the wind is blowing.
In our program “Powered by Nature,” we
look at geothermal, as well as wind and solar. Unfortunately, solar energy is
only now becoming commercially viable in
But as Paul Kjellander,
Kjellander says, “regardless of what generation resource you want to bring to market, you have to have the transmission capacity to move it.”
Right now that does seem to be the
main drawback with alternative energy sources in
The show aired. The phones rang, and the balloons popped. Another Pledge Drive has ended. OUTDOOR IDAHO's contribution this year was a 90 minute program, celebrating 25 years of service to the citizens of Idaho. It was a show that really seemed to connect with viewers.
"A great show. I love you guys. You make Idaho come alive," emailed John Freemuth.
Chris Harris wrote us: "I love Outdoor Idaho. Thank you from the bottom of my heart."
"What a great show! AND y'all obviously had fun putting it together," emailed Diane Ronayne. "Thanks for going through everything you had to go through to make that show happen. It's truly valuable in so many ways, and the documentary footage of both people and places will become even more valuable over time. P.S. The hat piece was priceless!"
"I don't know the composers or the artists that sing these songs on Outdoor Idaho," wrote Jim Weaver, "but they are the most beautiful songs I've heard. And, I dearly love Outdoor Idaho! It gets better every year."
Jim Weatherby wrote, "Dana and I really enjoyed your Outdoor Idaho special. What a rich and rewarding career doing those extraordinary shows. Congratulations and best wishes for the next 25!"
"When I was watching your show," wrote Curt Henson, "I started thinking, when do I feel the most joy and happiness in my life? It's when I'm in the great Idaho Outdoors! I would like to find out how to become a part of Outdoor Idaho in any capacity."
John Bertram wrote, "Idaho thanks you for 25 years of discovery and adventure. Thanks for giving Idahoans a lifetime of places to seek out and hopefully provide stewardship."
"Enjoyed it very much!! especially the scene with the nibbling horse!!!" emailed Beth Pederson, of the musical duo Beth & Cinde.
Ann Couch emailed, "This is SUCH a BEAUTIFULLY done program - you are the best! Have watched the 25th anniversary show twice."
Marty Peterson sent this note: "So Barb and I had settled in to watch the 25 years special on our new 42" HDTV and when you came on the screen, I said "You know, Swisher hates Bruce's hats" before anything was mentioned about your hats. And sometime later the Swisher video appears. Funniest moment of the week at our place."
And one more.
Musician Curtis Stigers, who wrote a song for our 25th show, sent us this note. "We were glued to every frame, every moment of the show. It was funny, charming, interesting, entertaining, and, most of all, emotionally moving. I must cop to having been moved to tears at least 5 times and choked up quite a few more. The editing, the new interviews and commentaries, the blasts from the past: all wonderful. My favorites: your hats and Jeff Tucker as a bright-eyed teenager.
"What a terrific show. I couldn't be more proud to be part of it. Thank you so much for asking me to contribute my music. I consider myself very lucky to be a part of the anniversary of a show that is such an important part of Idaho. Vive le Outdoor Idaho! Here's to 25 more years! I hope you'll include me in the 50th anniversary."
It was a moment unlike any videographer
Jay Krajic and I had experienced during the past year of filming Barbara Morgan.
Here she was, in a classroom, without any other cameras besides ours, and no
NASA handlers to move her along. And most importantly, Barbara Morgan was at
ease. She was at home.
Finally back in McCall, four months after finishing her 13-day journey into space, the former Idaho teacher had a full schedule of community events to attend in her honor. But before heading to a packed school assembly at McCall Elementary, she stopped off at a preschool classroom.
There, she found half a dozen children ready to entertain her as they danced to a song about astronauts called “Floatin’ in the Bathtub.” As they “floated” around the classroom, their arms held out by their sides like wings, Morgan laughed and clapped along.
Then a child told Morgan she wanted to show her a photo on the computer. It was a picture of Morgan in her spacesuit, during a launch practice. “You want to know something really funny?” she told the rapt children, who had crowded around the computer. “You know what I have inside my suit? You know what I’m wearing?” She whispered the answer.
“She said a diaper!” exclaimed the
teacher.
“Pretty silly, huh?” said Morgan. You guys got rid of your diapers and I have to wear a diaper!”
The children giggled and looked up with a mixture of confusion and awe at this real life astronaut who all of the sudden was acting like she could have been one of their babysitters.
Then, just as quickly as she had entered the classroom, Morgan was on to her next appearance, which, like almost all of her prior ones, was in a cavernous, dark gymnasium ill-suited for filming. But Jay and I breathed a sigh of relief. We had video that was a “keeper,” a moment that not only showed Mission Specialist Barbara Morgan, but teacher and mom Barbara Morgan.
It was a moment a long time in coming.
You see, I knew Barbara Morgan had a wry sense of humor. I’d seen it over the
years in off-camera moments, and heard about it from her friends and colleagues.
But the opportunities to film her had been so staged over the past few years it
was hard to see the real Barbara.
From the beginning, she and her husband Clay kept their home life, including their children, off-limits to the press, for understandable reasons. So we were reliant on NASA to schedule time with her. That time, when granted, was heavily controlled. At least one of my interviews was conducted with a NASA employee holding a stopwatch behind me, allowing me six minutes and 30 seconds. The strain of preparing for a mission, and doing multiple interviews back-to-back, was often evident in Morgan’s face and voice. At times, her answers seemed rehearsed, without much emotion.
Morgan’s formal press events were a sea of reporters and flashing cameras. Occasionally she’d have a personal moment with a student, but it still seemed artificial with all the press crowded around her.
But in McCall, Morgan was free to allow
more aspects of her personality to come alive. For instance, she’s known among
her friends for running late, and she lived up to that reputation, staying long
after events to chat with friends who had come from far and wide to see her.
When she was given a key to the city of McCall, she joked that maybe it opened
up a local bar. She invited us into the lunchroom at the elementary school as
she and a few teachers munched on sandwiches. And she hammed it up with the
preschoolers, who of course had no idea that astronaut diapers had been in the
news lately.
In an hour-long documentary that has to span 22 years, Jay and I obviously can’t include all of those moments in our documentary, “Barbara Morgan: No Limits.” But we get a smile every time we see that footage of Barbara in the preschool--relaxed, happy, and best of all, safely back on earth, sharing a secret (giggle?) with some of her biggest four-year old fans.
You know you’re not a spring chicken anymore when you’re working on a show celebrating its 25th anniversary.
That’s right. A quarter of a century for OUTDOOR IDAHO. Not bad for a program that the show’s creators, Peter Morrill and Royce Williams, predicted would last maybe five years, if it was lucky.
Well, the show has been lucky. It started out in 1983 as a co-production of the Dept of Fish & Game, and IdahoPTV. Within five years, Peter and Royce had gone on to other things, but the show had found its niche.
My personal involvement in the show was completely accidental. The original host, Doug Copsey, had a commitment he couldn’t get out of, and they needed a fill-in host for one month. That was in 1985, and the stand-ups were shot at Bruneau Sand Dunes. I remember, because I wore my cowboy boots. Not my smartest move.
But by April of 1986, Peter and Royce had apparently forgotten that incident and gave me the job. The show was shot at Jump Creek, where I proceeded to get such a bad case of poison ivy in my eyes, that even my neighbors didn’t recognize me. (Contac lenses and poison ivy don’t go well together, I discovered.)
In 1990, Fish & Game decided to start its own program, “Incredible Idaho,” and Idaho Public Television became the sole producer of OUTDOOR IDAHO.
Fast forward to 2008. We’ve seen a lot of territory, my colleagues and I. And now the task is to let the viewing public in on some of the behind-the-scenes antics of the past 25 years. Luckily, they’re giving us 90 minutes to tell our stories.
We're dividing the show into four distinct sections: History, Issues, Favorite Stories, and People.
I hope you can catch the show, Thursday, March 6th, at 7 p.m. Mtn. It’s not every day that a television program reaches the quarter century mark.
Over the years we’ve produced dozens of programs that have involved hiking, rafting, horseback riding, cross country skiing and other types of non-motorized recreation. And while many people really enjoy those kinds of activities, a big slice of the population prefers the advantages a powerful machine can provide. This type of travel has been growing so rapidly we thought it was time to find out what’s fueling the popularity of motorized recreation in Idaho.
One thing motorized and non-motorized users seem to have in common is
that they both love the Idaho landscape. Sure, there’s some controversy about
where motorized use is appropriate and there’s an ongoing discussion about how
to lessen the impacts of machines. But those discussions are happening both inside and outside of the
motorized community. We found that in addition to regulations and educational campaigns by land managers, the
various motorized clubs are also an important tool in helping to promote respect
and responsible use of public lands.
For the program we decided to feature several different kinds of clubs and activities from around the state; jetboaters on the Main Salmon, snowmobilers in the Bear Lake area, dirt bikers in the forests north of Stanley, and sand rail drivers on the Saint Anthony Dunes. Each shoot had its own individual challenges and logistics.
On the dirt bike shoot we tried to follow our group along one of Idaho’s many
back roads as much as we possibly could. This particular road was definitely better suited for dirt bikes and atvs
because about half way through our shoot day we blew out a tire on a sharp
downed tree along the edge of the road. Another tire change was nothing new for an Outdoor Idaho production, but
instead of pressing our luck with no remaining spare tire we piled our equipment
onto the back of a couple of atvs and were fortunately able to complete the
segment. Later that evening we drove our vehicle back to the pavement without further incident.
There was no way to drive through the snow covered mountains near Bear
Lake in winter, so getting our cameras into the forest for the snowmobile shoot
required some special equipment. With the help of the Idaho State Parks department we were able to attach
a sled to the back of one of the snowmobiles. The large sled made it possible to get
our camera equipment into the backcountry to record some great winter
scenes. The only glitch along the way was actually keeping the sled attached to the snowmobile. On a few of the rougher patches of trail our sled full of equipment worked it’s way loose and was left behind for a
moment. A little baling wire and a few other adjustments over the course of the day put us back in business and it
wasn’t long before we were able to complete our assignment.
The Saint Anthony Dunes were another location with tricky logistics for
our crew and equipment. With most of the various sand machines assembled for the drive into the dunes, we were
having a hard time figuring out where to put our large camera box and other
assorted television equipment. There just isn’t a lot of room in most of those
machines beyond the seats and the motors. Luckily the four seated sand car we had hoped for finally arrived. It had just enough space to squeeze in our two crew members and most of the equipment. Fastening and unfastening the elaborate
seat belt system and keeping the swirling sand out of our eyes and cameras were
among the other challenges of a day on the dunes.
The jet boats were probably the best machines for carrying our load of
television equipment. These boats are used to hauling enormous amounts of supplies, so a couple more big boxes and
a tripod weren’t much of a problem. There were, however, other challenges, like keeping a close eye on upcoming
rapids. We wanted our photographer who was standing in the boat videotaping to stay in the boat during the
jarring bounces. Getting steady shots of bighorn sheep on shore while rocking in
the river wasn’t easy either. Yet aside from the jolts in the rougher water, it was a pretty smooth way to journey
along the Main Salmon River.
While motorized might not be everyone’s ideal way to travel into the backcountry, we could see some of the advantages these machines can provide. If all motorized users emphasized safety and responsible stewardship as much as the groups we encountered, some of the controversy surrounding these kinds of activities might be reduced.
Clarence Darrow joined us. So did James Hawley and William Borah, along with labor leader "Big Bill" Haywood and dynamiter Harry Orchard.
Trying to
resurrect the past can be a fool's game. But it's what we tried to do with our
new production, "Assassination: Idaho's Trial of the Century."
Perhaps you've heard of the story. Briefly put, class warfare had raised its ugly head more than 100 years ago. Mine owners vs. mine workers. A former governor was murdered, blown apart, when he opened the gate to his home one cold December evening.
A trial ensued. The star witness was the man who set the dynamite, Harry Orchard. He had repented of his evil ways and pinned the blame on the leaders of a violent labor organization.
The state kidnapped "Big Bill" Haywood from Denver and brought him to Idaho to stand trial for the murder of former governor Frank Steunenberg. That's where Clarence Darrow comes in. He defended Haywood. The prosecutors were the two best attorneys in Idaho, James Hawley and William Borah.
For five
days in May of 2007, our actors brought the past to life, in a way you'll have
to see to believe. Our show airs statewide Thursday, November 15th and Sunday,
December 2nd.
There's a lot that has improved in 100 years, no question about that. But one thing that has not improved is the oratory. They knew how to talk back then! And you'll get to hear Clarence Darrow and William Borah deliver their powerful lines, because we went back to the original transcripts of the trial.
Darrow pleading, "These men and these women and these little children, the poor, the weak and the suffering of the world, will stretch out their hands to this jury and implore you to save Bill Haywood's life."
And
Borah, in his closing argument: "I saw Idaho dishonored and disgraced. I saw
murder. No, not murder. A thousand times worse than murder. I saw anarchy wave
its first bloody triumph in Idaho."
Even today, the closing arguments of the four main attorneys - Hawley, Richardson, Darrow, Borah - leave you with a profound respect for the passion and the power they evoked, here in Idaho, 100 years ago this year.
I had crawled and slithered through tight passages, through rat droppings, through bat droppings and I was sitting in a small, dark, cold spot, about a mile and a half into a cave under Idaho thinking, "This is why I got into television?"
We're working on an Outdoor Idaho program called "Extremely Idaho." The idea is to check out some of the so-called "extreme" sports in Idaho. First up; spelunking.
In Twin Falls, videographer Jay Krajic and I met the guys from the Silver Sage Grotto, part of the College of Southern Idaho's Outdoor program. We followed them about an hour out of town to a hole in the middle of the sage brush. And then we followed them into the hole. And then we got down on our hands and knees and crawled after them deeper into the hole. And then we were following them on our bellies slithering through dust and the excrement of various cave-dwellers even deeper into the hole. The things I do for our viewers.
Once we got in a ways things opened up. They really opened up. You could have driven a train through some of the passages. But then we'd wind our way along for awhile and be back on our knees . . . then back on our stomachs sucking dust and . . . well . . . you know.
Chris Anderson, a die-hard caver who was leading our group talked about how this cave is the second longest lava tube in the lower 48. "And see the bats? That means it's a healthy cave." The fact that bats are thriving means that people aren't wrecking the place. When too many people visit a cave the bats are disturbed, sometimes can't hibernate, and die off. So it's good to know that we were in a healthy, bat-rich environment. You should actually be able to see them in the show when it airs this winter.
It was an interesting experience, although I can't say I was bitten by the caving bug. It's a very different experience from the other crazy things I've done while working on Outdoor Idaho. For one thing, it is a true wilderness experience. I mean this in the sense that there is no evidence of human presence. Even in the deepest jungles and forests, even on the highest mountain peaks you find trash, you see the contrails of jetliners. But here, underground, there's just dust and rock and . . . droppings. All things that have been here since the lava roared through and carved the tubes ages ago.
One note to potential spelunkers: do not over-hydrate yourself while caving. Chris politely explained to us to do whatever we needed to do before entering the cave because all kinds of waste, especially human waste, are forbidden in the caves. Now, we were in there for over six hours. Toward the end some of our group was gettin' pretty anxious to get back out into the daylight and find a quiet place for a comfort stop. That's all I'll say.
The next shoot for this program was the Snake River, just outside of Glenns Ferry. Videographer Alberto Moreno and I hooked up with the guys from Banshee Riverboards). You can see in the pictures that it's kinda like surfing, but on a river. The small surfboard-like boards are connected to a bungee cord. The rider moves out into the current and floats downstream. The bungee stretches as the rider is pushed downstream by the current. Then, when the bungee is stretched to its limit, he lets his board come up on top of the water. This is when the action starts. The cord means a zippy ride upstream and a chance to do some cool tricks and enjoy a fast cruise. The rider shoots along, skimming the top of the river.
This system was invented by the folks at Banshee Riverboards and they're hoping it'll catch on as a major sport. I didn't get wet for this one, but it looked pretty cool.
We've got some other great shoots coming up from around the state. I'll be keeping you up to date as we get "extreme" all over Idaho.
Later.
Jim
Last year I put together a show called The Idaho
Homefront: "World War II." While I was doing research, people kept
telling me about the old relocation center out near Twin Falls called Minidoka.
It was known as the Hunt Camp and housed more than 9,000 Japanese men, women and
children who were moved from their homes along the Pacific Coast. The US
Government thought those people might pose a threat to our country, thought they
might be sympathetic to the Japanese. I also heard about and met men who served
in the 442nd Regimental Combat Team. This unit was put together later in the
war. The Army needed more troops and the idea of an all Japanese-American
fighting team appealed to the government.
I included a bit on the camp and the 442nd in the first program, but it was clear that this was something that deserved its own show. The station came up with the resources and production began. Read more
Videographer Norm Nelson was depressed. He had
just watched our 1995 OUTDOOR IDAHO program on wildfire, the one we were
planning to retire in the fall. "That was a great show! How can we replace it?
We don't even have shots of flames!"
But the show had aired for twelve consecutive years, and, as good as it was, our show needed to reflect the changing nature of wildfires. It was up to us to find those flames.
So we journeyed into the Clearwater and Nez Perce National Forests, where cell phones were useless. We got great interviews with the Supervisors of both forests -- Tom Reilly and Jane Cottrell -- and with fire manager Jim Gray. But the rain a few days earlier had meant no flames. Not even smoke.
We visited the villages of Orogrande and Dixie,
where old structures were wrapped in sheets of foil. Each roll cost more than
$500, and a roll was only 30 feet long by 5 feet wide. We saw how some people
had worked hard to make their structures "fire defensible," by removing the
brush and thinning the nearby trees. And other people hadn't done much at
all.
Off the record, one of the Forest Service officers expressed doubt that Orogrande could even be saved. The hamlet is in a small valley completely surrounded by thick conifers. There seemed no escape if the fire came over the nearby ridge, which it was threatening to do.
As a last resort, the Forest Service put sprinklers on the rooftops. The thinking was, as the last fire fighter hurried out of harm's way, he'd turn on the water, and hope for the best.
Officials were comparing this year to 1910, when more than
three million acres of forest burned in the largest wildfire in US history. The
only thing missing this year were the winds. They didn't materialize, so "only"
a million acres will likely burn.
We also visited Clarence Chapman, on the Pittsburgh Landing road outside Whitebird. When a July wildfire threatened to engulf him and his home, he had saved himself with a garden hose over his head. Actually, he had done a lot of work before the fire arrived, thinning trees and planting a 50 foot expanse of grass around his house that he kept watered. He's convinced that's the only thing that saved him and his house. His neighbors weren't so lucky.
We had admittedly gotten a late start on our fire story.
So, to make up for lost time, we put two crews on the wildfire beat. While Norm
and I were in northern Idaho, Jody Lee and Dave Butler headed for Ketchum, which
was quickly becoming the nation's priority wildfire.
As fire threatened homes near the ski hill, fire officials started an evening back burn. Dave and Jody got the action on tape.
The next week, Norm and I headed to Ketchum, and were allowed to venture up to the top of Baldy, where fire fighters were trying to corral the fire. A few hours earlier the fire had raced up the mountain, scaring the townspeople with its fierceness and resolve. But then the winds changed, and the danger passed.
Near the top of the mountain, the air was thick with smoke, and there was nothing glamorous to us about the work the young firefighters were engaged in. They were trying to walk the fire down the hill. Nothing glamorous, but it was working. To date, no lives lost; no homes destroyed.
Our half hour OUTDOOR IDAHO program will air in 2008. The
thrust of the show is simple. Since the mid 1980's, the fire season has
expanded, by more than two months, allowing fires to burn bigger and burn
hotter.
It seems that we will have to change our tactics, to deal with this new reality.
Going to a space shuttle launch is always a risky travel
proposition, whether you're a reporter or a spectator. Launches are often
delayed, either by weather or by last-minute technical concerns. So it's a
gamble deciding which days to fly there and back without incurring too many
change fees and hotel nights. You can even end up returning empty-handed. So,
hardly any media from Idaho are going . . . . Read
more.
Summer break isn't just for kids. D4K: Dialogue for Kids, our science program for elementary age school children takes the summer off too, sort of. We don't have any live broadcasts over the summer, but we are still producing new content for our Emmy award winning Website. Check out my
blog each week for the latest science news for kids.
We are also working on all of the broadcast shows for the next school year. Here are some of the topics you can expect starting next fall: Flight, Endangered Species, Owls, Force and Motion, Teeth, Amphibians, Green Energy, Rocks and Minerals and a very special program with Idaho Astronaut Barbara Morgan.
We put together three to four minute videos on each of our season's scientific topics that are used to start our broadcast show. They are also available for streaming on the Web. I've started writing those scripts and right now I am trying to explain how cavities are formed, why airplanes can fly, and how physics is a big part of a rollercoaster. I'll work on defining green energy and rocks later this summer.
But don't you wait for September. There's lots of web-exclusive content on the D4K web site to check out right now. If you want to learn more about animals, the environment, technology, archaeology, and lots of other scientific topics, click here http://idahoptv.org/D4K/ and explore. You won't be alone. The D4K Web site had more than two
million hits in the first part of last season and more than 30 percent of the traffic came from outside North America. Eleven percent of the site's traffic comes from China. Cool huh? So, if you've never surfed over to the D4K site, now is a great time to look it over, and be sure to check out my blog!
"Call Harry Orchard!" bellowed James Hawley, from
the prosecutor’s desk in the court room. Seated next to him, William Borah
winced, then managed a one-liner that brought down the house. "Where the hell is
he, in Kuna?!"
It was just one of the special moments our Production team was laughing about Friday evening, after five hectic days of prep work and shooting for "Assassination: Idaho’s Trial of the Century."
We had taken over the court room in
Boise’s ancient Borah Building, intent upon re-enacting the
pivotal moments in a trial that put Idaho on the map 100 years ago this
month.
The actors played their parts to perfection. James Hawley and William Borah for the prosecution. Clarence Darrow and Edmund Richardson for the defense. Harry Orchard as the dynamiter who found religion. And Big Bill Haywood, on trial for his life, for supposedly paying Orchard to assassinate former Governor Frank Steunenberg.
While the actors were all professionals, our
audience consisted of folks from the community willing to dress up in costumes,
put on make-up, and have someone mess with their hair. Every day different
people sat in the benches, happy to play a small role in this big story.
"I can’t tell you what this has meant to me," said one woman who had answered our call for audience members. "It was wonderful! I thank you so much for giving me this experience."
Our jury was a collection of some of the best
beards in the state. They were the first ones you saw upon entering the
court room, and right away you knew this was going to be a wild week!
Television is a collaborative effort and reenacting a 100 year old trial could not have happened without the efforts of folks like Joan Yost, who handled all our costuming; Judy Austin and Byron Johnson, who provided invaluable assistance on the script; Frances Alves, our make-up person; Rex Morris, our "resident skeptic" and gaffer; Pat Metzler and Jeff Tucker, our experts behind the camera; Ric Ochoa, our audio guy; Morgan Dethman, our artistic counsel; Johnnie Whitby, our hair stylist; Pat Cosgrove, our handyman extraordinaire. And there are literally dozens of others who deserve to be upset because I haven’t mentioned them here.
We still have a few more scenes to shoot outside the court room, before we can begin editing the hour-long program that will air statewide in November.
But I know, in my heart, that this past week will be the highlight of our efforts. There are just some events that have "magic" written all over them.
We may have begun as strangers, but for one shining week in May, we were all family.
On May 15th, this empty court room in Boise’s Old
Post Office building will be transported back in time.
Clarence Darrow, William Borah and James Hawley will all be there, along with a judge and jury, ready to convict Big Bill Haywood of the murder of former Governor Frank Steunenberg.
Thanks to the testimony of "born again" Harry Orchard, it was
a foregone conclusion what the verdict would be: Guilty!
But a jury of Idaho farmers surprised the world back in 1907, when they found Haywood innocent of the murder.
In the 20th century, there have been more than 30 Trials of
the Century, including OJ and the Scopes monkey trial. But the Haywood trial was
definitely Idaho’s version, and a memorable version it was! We intend to
celebrate the event by re-enacting key moments, with some of Idaho’s finest
actors.
In May of 1907, the eyes of the world were on the frontier
town of Boise. Darrow referred to it as the Athens of the Sagebrush. Others were
not so kind. To many observers, it was a battle between Capital and Labor,
between the mine owners and the mine workers.
We will be re-enacting scenes from the trial for four days, from May 15 through May 18. If you would like to be in that audience please contact the station. But you have to be in the correct attire. Fortunately, we have some detailed advice for how you can do that.
The trial re-enactments will comprise about half of our hour-long program, "Assassination: Idaho's Trial of the Century," which is scheduled to air in the fall of 2007.
Idaho was a young state, Boise a small town. But the events that transpired in the courtroom 100 years ago this summer put us on the map, like nothing before or since.
It’s a Latin phrase -- without day -- that, loosely translated, means “the Idaho Legislature has gone home for the year and will be back in January of 2008.”

When they return, things will be very different! For one thing, lawmakers will not be at the Capitol. The Capitol will be a mess. It will be a mess for two years, as workers add “wings” to the east and west sides and other workers renovate the inside of our beautiful building.
So, where will lawmakers do the people’s business? Across the street, in a dump called the Ada County Court House. As you can see from these photos, the old court house could use some TLC.
And that’s where we come in. Because of space limitations, our cameras will be the “link” to the outside world. And luckily, we’ve had this past year to experiment with that link.
If you are one of those who has a digital television set, you probably already watched the three cameras in the House and the three cameras in the Senate give you a ringside seat to legislative proceedings this past session. If you don’t have digital TV, perhaps you watched the same show on your computer. Pretty impressive, really, and it took about three Idahoptv techies, working each of the 82 days, to keep the show on the road.
Near the end of the session, when debate tends to get fast and furious, enough viewers had tuned in to completely use up our entire bandwidth. Again, pretty impressive.
We’ve been promised a more robust “pipe” for the coming year, so more folks can tune in to the action.
It’s a good thing because, given the tiny size of the old court house, our cameras will be – literally -- the only way you’ll be able to watch lawmakers in action.
"Idaho Getaways" airs Thursday, March 8 at 8:30 p.m. Repeats Sunday March 11 at 7:30 p.m.
We've never produced a show like this before, where our reporters were all asked to bring back -- in a 10 minute package -- their favorite Idaho Getaway.
We've put them all together, in an OUTDOOR IDAHO special, set to air March 8th & 11th during our annual pledge drive.

John Crancer decided to heed his inner cowboy, and headed for a dude ranch in eastern Idaho.
Joan Cartan-Hansen figured there was a great children's adventure around Lake Coeur d'Alene.
Jim Peck tackled the difficult Lewis & Clark Trail along the Idaho-Montana border.
Marcia Franklin zeroed in on the "heart" of Idaho, in the Stanley basin.
And I got out my old blue raft for a trip down the Middle Fork of the Salmon River.

Obviously, when you and a cameraman are trying to produce a video story, it's hard work and no rest for the wicked. But the goal is to make the story look like you're having fun, while trying to say something brilliant and insightful.
Can't say John looked too insightful trying to shoe an unwilling horse, or that I looked brilliant stuck on a rock in the Middle Fork. Jim hit the Lewis & Clark trail on the hottest day of the year and was praying for one of those snow storms that frequently bedeviled the Corps of Discovery.
The women had a better time of it, although Joan was literally dragged along the ground when her hot air balloon tried to land in a wind storm. And Marcia stayed upright in a kayak through a Class III rapid, only to get punctured by a nail in a home-made hot tub.
Still, the hour-long program is an enjoyable view of what Idaho has to offer. Five different Getaways, in a state that has a million of em!
We made history today.
For the first time ever, you could watch the Speaker of the House conduct the people’s business… on television. Or, if you preferred, you could change the channel and catch the Senate.
Perhaps you’re wondering how this is possible. Or maybe you’re asking yourself, why did it take so long?
It's the nature of digital television. Digital bandwidth can be split into several channels, in our case, four. During the day, when the Legislature is in session, we're devoting one of those channels to the Idaho House of Representatives, and one to the Idaho Senate. At night, all our channels that share bandwidth during the day come together to give us that High Definition quality everyone crows about. HD TV allows folks to watch Nature, Nova, Masterpiece Theater, Outdoor Idaho in all their true glory.
But back to the historic stuff.
Last year Idaho lawmakers appropriated approximately $350,000 to purchase three new cameras for both House and Senate. The quality of the cameras is outstanding! IdahoPTV staff run the cameras during the day, so you're not forced to watch a static wide shot of the Legislature. Better than C-Span!
Of course, all this means nothing to you…unless you have one of those new-fangled digital TV sets. But by February 2009, we're all supposed to have digital television, because the federal government is shutting off analog television transmitters. I can already hear the wailing and gnashing of teeth!
Luckily, the video from those very same cameras is available for viewing on your computer at www.idahoptv.org. Just go to our award-winning Idaho Reports Web site where you’ll see all the work our crew is doing to make this legislative session as accessible as possible for you, including archived video of key events, editorials from around the state, and much more.
This is all possible because of a great partnership with legislative services and the department of Administration.
And don’t forget to watch our award-winning weekly program, Idaho Reports, with host Jim Peck and his eclectic pundits. They cover all the bases each Friday evening at 8 p.m. in a way that makes politics fun again!
It’s incredibly rare that our producers get to work on a single show together. And believe me, that’s probably a very good thing! Too many chefs in the kitchen.
But there is one show coming up in March that combines the talents of John Crancer, Joan Cartan-Hansen, Jim Peck, Marcia Franklin, and me – and does it in a way that we think will be pretty enjoyable.
The show is called "Idaho Getaways." The premise is simple. Each of us picks
a favorite I
daho getaway and reports on it, for ten minutes.
Then we put 'em together into an hour-long OUTDOOR IDAHO special that airs
during our annual pledge drive in March, 2007.
John chose a dude ranch in eastern Idaho. Joan picked the Coeur d’Alene area. Jim headed for the Lewis & Clark trail. Marcia settled on the Sawtooths. And I flew into Indian Creek for a late season rafting trip down the Middle Fork of the Salmon River.
This past September forest fires burned all around us, and occasionally the
skies were overcast wi
th smoke. It was a reminder of how the wilderness is constantly
changing.
Our days were constantly changing, too. We usually spent about five hours in the rafts each day. But the rest of the time was spent hiking, searching for pictographs, soaking in hot springs, playing badminton on the sandy beaches and Texas Hold-em by candle light, fishing, eating well, and telling stories.
A low water trip makes for some tricky boating. It's virtually
impossible to avoid hitting rocks.
At Tappen Falls, some of my buddies stayed longer than they had
planned. Tappen is one of a handful of Class IV rapids.
Cameraman Pat Metzler captured the trip on video. And now our goal is to convince viewers that the Middle Fork is a great Idaho Getaway. Should be easy!
I still remember the last day on the river, as our rafts left the famous
tributary and joined with the main Salmon, for the homeward stretch. It was a
bittersweet feeling. 
You know you’re leaving one of the special places on earth. And being able to share that experience with a group of friends made the trip even more memorable.
You'll get to see that trip, along with four other great Idaho Getaways, during our March Pledge drive.
Why have some candidates chosen not to participate in the "Idaho
Debates"? Are we still doing the Debates? And what does this mean for the future
of the 30 year collaboration we have with the Idaho Press Club and the League of
Women Voters?
These are some of the questions people are asking me, as we enter the final weeks of Idaho's campaign season. These are good questions. They deserve answers.
Politicians tend to make pragmatic decisions about debates. If they are
leading in the polls, why should they give their opponent a chance to score
points? It can only hurt their cause. And why shouldn't they try to get the best
advantage they can in a fight?
As a fellow human being, I completely understand where they're coming from. That's why I make it a point to congratulate candidates of either party who agree to debate. It's not fun to debate. But, as a citizen of this state, I need to know what the next Governor or Congressman has in his or her head. They owe that to me if they want my vote.
In this
new media marketplace, our 30 year collaboration is not the only game in town.
Candidates can now shop around for the best deal. And they're doing it. That's
what Jim Risch did. That's what Butch Otter did. (Controller candidate Donna
Jones just decided no one wanted to watch her debate, so she's not debating,
period.)
It's hard to justify Mrs. Jones' decision, at least in my head. As for Mr. Otter and Mr. Risch, I guess time will tell if the public has been served by their shopping around for the best venue. I do know that Idaho Public Television will be airing their debates, regardless of which commercial TV station they appear on.
I happen
to believe that our "Idaho Debates" have served the state well. I've heard that
from many candidates over the years, from all parties. We don't cut deals with
individual candidates. Our process is totally transparent. Everyone gets a fair
shake. If we can be faulted, it's in providing only one debate for the important
state and congressional offices. Next door, Oregonians have four statewide
Governor debates to watch. Now, that's more like it!
So, yes, the "Idaho Debates" will continue. We have debates scheduled on statewide television for Attorney General (Oct. 18); Second Congressional District (Oct. 22); First Congressional District (Oct. 24); and Superintendent of Public Instruction (Oct. 25).
We even have a debate for Governor scheduled on Oct. 29, because we have, at this point in time, two candidates willing to debate. That's our criterion. There have to be at least two candidates.
What does the future hold for our collaboration? Hard to say. Perhaps the Idaho media needs to get together before the next election cycle, put our collective heads together, and come up with a plan so that candidates can't pit us against each other, like they've done this year.
Perhaps we just need a lot more debates. I'm encouraged by the behavior of the two major party candidates for First Congressional District, Mr. Bill Sali and Mr. Larry Grant, as well as the two candidates for Superintendent of Public Instruction. They're out there debating, mixing it up. In this day and age, there certainly are enough topics to discuss!
Hurray for them, and all the other candidates participating in our debates!
Perhaps you’ve read about the logjam that shut down the world-famous Salmon river at Pistol Creek rapid. Several of the OUTDOOR IDAHO crew just happened to be on vacation on the Middle Fork and were among the first to witness Mother Nature’s fury that morning.
It started with a torrential downpour about 4 a.m. Monday, July 24. I know, because I was sleeping outside my tent that night, about three miles upstream from Pistol Creek. Luckily, the daytime temperatures were hovering near 100 that week and the soaking was soon forgotten.
Back on the river, I was positioning my raft into some choice fishing holes, when my fishing buddy Dennis noticed that the river had turned into a lake, and green bushes were underwater. Something wasn’t right. Besides, the fishing had suddenly gotten lousy.
An outfitter on the shore yelled at us to pull over. He said that the tricky Pistol Creek rapid -- a narrow S-curve in the river -- had gotten jammed with dead trees from the blowout of a small creek, and that if we continued around the bend, we might not survive.
Maybe you know the feeling, when you come upon something that you know is definitely going to ruin your day. That’s how the 16 people in our private rafting group felt after hurrying down to Pistol Creek rapid, half a mile away.
Eventually, we set up camp with more than 100 other rafters who were now as stuck as we were, and considered our options: 1) wait for the Forest Service to blow up the logjam; 2) portage our heavy equipment around the obstruction, or 3) cache our boats and walk to Indian Creek and hop a plane back to civilization.
Many of the rafters we talked with on Monday were convinced the Forest Service would do nothing. After all, this was a wilderness, "untrammeled by man, where man is a visitor who does not remain." Trouble is, we remained.
Sensing a "Katrina" in the making, I procured a satellite phone and called our production manager, Jeff Tucker. The connection was terrible and Jeff heard every sixth word: "saw… immense… flood… rafts… people… 30 foot logs… hot dogs… keno…Zimo… fly… pistol creek."
So Jeff called Idaho Statesman reporter Pete Zimowsky who flew in with Jeff to Pistol Creek ranch Tuesday morning, assuring Jeff that a 30 foot long, keno player hot dog did not attack an immense group of rafters!
After conducting interviews Tuesday afternoon with Forest Service personnel, including demolitions expert John Haugh -- who just happened to be one of the rafters on the river that day – I became convinced that a consensus was emerging among those on the ground. Blow up the logjam!
But could they convince their superiors back in the air-conditioned offices? And how long would that take? One private party whose members worked for the federal government sensed a long, protracted federal logjam and opted to carry hundreds of pounds of gear down the trail past the rapid. They had only two boats and some young bucks in the group, but they still said it was one of the hardest things they ever did. An outfitter rented some nearby pack horses and hauled out his gear and paying customers.
Our group, with seven rafts, chose to wait, believing the Forest Service would move quickly. And they did. By Wednesday around noon, 125 pounds of dynamite did the trick.
In a post-interview, dynamiter John Haugh said it was the biggest logjam and biggest explosion he’d ever been part of. He may have been as impressed as we were, when the dynamite shook loose 95% of the offending logs. By Wednesday evening, the river rangers had manhandled the last of the logs out of harm’s way, and the Middle Fork was back in business.
Of course, the debate continues. Did the Forest Service do the right thing by using dynamite in a wilderness? And what exactly does "wilderness" mean? Colleague John Crancer and I hope to explore that debate in a future OUTDOOR IDAHO program this winter.
Since the devastating fires of 2000, mud slides have become a regular occurrence on certain stretches of the Middle Fork, so this issue won’t be going away any time soon.
All I can tell you is that, on Thursday morning, as we floated through Pistol Creek rapid to continue our 10 day trip, I had renewed respect for the men and women of the Forest Service. They made a quick, studied decision, one that made sense to a lot of folks stuck behind the log jam.
Watch our 8 minute video on the dynamiting of the Pistol Creek logjam:
Hi bandwidth
Watch a KIVI-TV interview with Bruce and John:
Hi bandwidth
One of the nice things about being a volunteer –
aside from the free food during our annual pledge drive – is something called
"Volunteer Appreciation Day."
It's a special event where the Production crew tries to Wow a room full of Volunteers with clips of our upcoming shows. Luckily, there’s also free food, in case our presentation falls flat.
This year we offered up three Previews, which I think speak to the diversity of our Local Productions.
The first one, "Cycling Idaho," was put together
by Marcia Franklin, Chuck Cathcart, and Dave Butler and features the wonderful
Coeur d'Alene bike trail in northern Idaho. When it was first proposed, not
everyone thought it was a great idea to turn a contaminated rail road bed into a
bike path. But so far, it's working, beyond anyone's wildest dreams. Check out
our OUTDOOR IDAHO program, "Cycling Idaho," on Thursday, July 20, at 8 Mtn/7 Pac
and again on Sunday, July 23, at 7 p.m.
Is there a region of Idaho as captivating as the Palouse in
springtime? Hard to imagine. Our five minute clip, "Palouse Paradise," featured
some of the fascinating people Pat Metzler and I met on a recent trip to the
area around Moscow, Idaho.
The full length version of "Palouse Paradise" will be the first show of OUTDOOR IDAHO’s 24th season. Plan to meet the giant Palouse earthworm, organic wonder woman Mary Jane Butters, and a host of other compelling characters.
"The Idaho Homefront: World War II" spoke to a lot
of the older volunteers in the audience. Jim Peck and Alan Austin poignantly
captured this golden era, with their choice of music and archival footage. It
was a time of heroism and sacrifice, on the battlefield and on the homefront.
Watch for this hour-long Special to air Sunday, December 3.
It could have been the food, but the forty or so Volunteers did seem genuinely impressed with our offerings.
Of course, there are many other shows we’re working on. But sometimes it is rewarding to see short clips, bunched together in the space of an hour, to realize the wonderful diversity of our local programs. Read more about the shows and watch the clips on our Productions page.
It's just our luck that "The Idaho
Debates" were up against the most hyped television shows of the entire year!
Blame it on the May primary falling inside the biggest Sweeps month of the
year.
I worked behind the scenes on all five primary debates, and I think they just kept getting more interesting, culminating with the debate for Congressman Butch Otter's current job.
Six strong candidates met in our Studio
on May 18 and went toe to toe for 90 minutes on statewide television, for the
chance to represent Idaho's First Congressional District.
Nobody threw punches, but there was no love lost between
some of the
candidates, as they called each other liars, defrauders and
liberals. The format allowed them to ask each other questions, and it made for
great entertainment, as candidates chose to disregard Ronald Reagan's 11th
Commandment, "Thou shalt not speak ill of a fellow Republican."
The League of Women Voters and the Idaho Press Club have been a partner in these debates for more than 25 years. Elinor Chehey of the League was at every debate, with her trusty stopwatch. And print and TV reporters of the Press Club asked the questions.
Our role was to moderate the debates and provide
the studio and staff to get the show to every Idahoan who cares.
So if you happened to be watching "Alias," "Boston Legal," or, heaven forbid, "American Idol," during May Sweeps, you can still catch Idaho democracy in action by going to http://idahoptv.org/theidahodebates/. Each Primary debate is archived and ready for you to watch, on your computer, in your own sweet time.
Over the weekend, they announced the television Emmy nominations. We got six. Not bad for a small production team, when you consider we only submit eight or nine entries a year, because of the cost.
There are more than sixty different categories in the Northwest Chapter of the National Academy of Television Arts and Sciences. To many people, it’s all kind of silly and indicative of what ails television these days. Unless you're one of the winners, of course!
Many of those 63 categories don’t apply to us, like “Live Sports Coverage” and “Anchor-Weather.” We traditionally hav
e zeroed in on the boring ones, like “Public Affairs” and “Documentary” and “Informational,” although this year we managed to break into a couple of new categories, as well.
So, without further ado, here are our Emmy nominations for the past season’s work:
There is nothing more “collaborative” than television. It takes good producers, shooters, editors, graphics and web people, and engineers. 
It also takes solid accountants, transcribers, press folks, and someone to raise the money.
And it takes a strong commitment from Management, to actually care about local programs and give it more than lip service.
I’m happy to say, we have all of the above.
When Outdoor Idaho decided to tackle a program on the Centennial Trail, the logistics were challenging. How do you document a twelve-hundred mile long trail? Obviously we had to carefully choose the few sections of the trail that we would photograph, that would hopefully represent what the trail is all about. Then we would have to find people to actually travel the trail.
To
begin, we started with the originators of the trail, Roger Williams and Syd
Tate. They had fortunately taken scores of slides of their original hike that
covered the entire length of Idaho, the trip that would later inspire the
official Idaho Centennial Trail. But we needed much more than a few dozen slides
to give people a real sense of the trail and the country it passes through.
Luckily, we found other folks who were beginning their own Centennial Trail. A young couple, John Palan and Mandy Stephan, were planning a sequel to Roger and Syd's feat of trekking the length of the state in one ambitious, all-summer-long hike. At about the same time, Kim Heintzman was beginning his combination biking/hiking trip along various segments of the trail. His plan was to cover the whole trail in a series of shorter trips spread over several years. We also knew Roger and Syd would gladly hike parts of the trail, especially if the official route wasn't part of their original hike.
The challenge was getting together with everyone at the right time and hoping the weather cooperated enough to show some of the stunning scenery along the trail.
One of the more demanding segments was Heintzman's trip through the Sawtooth wilderness. Kim had already been hiking several days when he arrived at the Grand Jean Lodge just as he had anticipated. Chuck Cathcart and I drove in from Boise on the appointed evening, and Kim was sitting on the porch of the lodge. Although he looked a little tired from his previous trail exploits, he was ready to continue through the Sawtooths with camera crew in tow.
We decided to meet Kim here because Roger Williams had told us about a
great side trip just off this part of the trail where you could see some of the
best views in the state. The only problem for us was that the trail itself
climbed 4,000 feet from Grand Jean to the top of the divide in less than five
miles. From the pass it was another 1,000 feet up to our destination at
Observation Point. On top of those obstacles, when we got up the next morning to
prepare for the hike, it was overcast and raining.
But we decided to take a chance. Our photographer Chuck Cathcart pulled on his camera pack that, with batteries and accessories, probably weighed seventy pounds, while I put on the pack that had our tent, sleeping bags, food and other accessories. I also grabbed the large camera tripod. We knew that Kim alone could probably make this hike in a half day or so, but because we would be taking shots at various intervals, we warned him it would take a lot longer.
Anyone who's been around a television production knows that one "take" doesn't always yield the desired results. More often than not, we would ask Kim to re-hike little sections of the trail so we could get just the right shot. He probably hiked fifty percent further than we did because of the retakes, but it slowed him down enough that we could almost keep up with him!
The
steepness of the grade and the age and condition of my back made it a fairly
grueling trek for me. And with all the overcast skies, we weren't even sure all
the effort was going to be worth it. But turning back didn't seem like a
reasonable option, so we trudged onward. I was constantly looking forward to our
"shooting" locations so I could set my pack down and rest. Kim, on the other
hand, didn't seem to need the rest!
As the day wore on, the sky brightened a bit, but then I began to wonder if we would reach the top before sunset. We picked up our pace, and I was elated when we reached the turnoff to Observation Peak. We estimated we still had well over an hour of daylight left and we thought we could make it to the top in half that time. I think the last leg may have been the steepest of all, but spurred on by a reachable goal, we hurried toward the mountain top.
Although I was trailing the other two, I knew the hike had been worth all the effort when I heard Chuck yell "Wahoo!" I knew why a few minutes later. The clouds had cleared, the sun was in its perfect "golden hour" position, and the view of the Sawtooth Mountains was fabulous! We spent the next hour videotaping the incredible views that stretched out in every direction. It was one of those shoots where you aren't sure what you're going to get when you start out, but then Mother Nature cooperates and reveals her full splendor for the camera lens.
I guess I'd have to agree with Chuck, it was definitely a "Wahoo" moment for the Outdoor Idaho crew.

While not every shoot on the Centennial Trail production came together so beautifully -- I could write another several pages on the time our vehicle developed serious engine problems at one of the most remote locations you can possibly drive to -- we were fortunate on many occasions. We think we were in the right place, at the right time, with the right people enough times that we were able to capture at least a small sampling of what this magical trail is all about. Like Roger Williams says, "It's the adventure of a lifetime!"
Check out our web site at http://idahoptv.org/outdoors/shows/centennialtrail/. And look for future airings of our hour long program "Idaho's Centennial Trail."
Our Rosalie Sorrels Special Airs March 19 at 7 p.m.
In the good ole days, producing a program was relatively straightforward. You did some preliminary research, interviewed folks, shot some footage, wrote a script, edited it, and then aired it on television.
But then came digital television, DVD’s, Video on Demand, video downloads, video streaming and the web. Talk about confusing! That’s why we’ve stayed far away from doing certain programs, like performance documentaries involving musicians.
Until now.
Last year, Idaho native Rosalie Sorrels was nominated for a Grammy Award for her “My Last Go Round” album. If Rosalie could survive a brain aneurism, a bout with cancer, and the Grammy nomination process after a forty year career, we figured the least we could do is profile this Idaho gem, regardless of the complications.
So we met with Rosalie and quickly agreed that a concert at the Liberty Theater in Hailey would comprise the bulk of our program. Rosalie would get the world class musicians. We would handle the logistics.
We rented three high quality digital cameras from outside the state, to go with the four we owned, and we shot up a 3 ½ hour storm last September at the Liberty Theater.
Since great sound is essential in a music concert, we also spent money getting a house mix with 24 live microphones; and we decided on Rosalie’s favorite song mix person, Roma Baran, from back east, to mix the 18 songs for us. Roma and our editor, Pat Metzler, used something called yousendit.com to fly the video and the sound mix back and forth through the ethernet for each of the 18 songs.
We also wanted the show to be more than just music. We wanted some perspective, some insight in the program. So we applied for and received a grant from the Idaho Humanities Council that allowed Marcia Franklin to interview, on location, luminaries like Pete Seeger and Jean Ritchie, Nanci Griffith, Utah Phillips and others.
As editor Pat Metzler enters the final stages of post production, we find ourselves still dealing with music rights issues. Video-on-demand, DVDs, and gawd knows what else – these have definitely complicated the negotiations! Our production manager Jeff Tucker, who has been talking with publishing company attorneys, says he’s starting to feel like a guppy in a world of sharks! At least he’s had a reason to chat with Paul McCartney’s publishing company. So far, no sign of Paul…
But when the dust settles, we’ll have a remarkable 90 minute program that will air on our normal channel. We’ll also have an up-converted High Definition program that will air on our digital channel; and, if we’re lucky, we may even find a national audience. On top of that, we’ll also have a DVD with bonus tracks, an impressive website with lots of interviews, and who knows what else!
It’s not at all like the good ole days.
I think it’s going to be better.
Each session of the
What will it be this year? Too
early to tell, but already there are intriguing clues. But one thing we already know for sure.
Our “
My take on it is that the show
will look a lot more like the best Sunday morning public affairs shows, with a
handful of knowledgeable guests mixing it up throughout the entire program,
responding to the stories of the week.
Joining host





This will be our 34th
year of covering the
This year the show airs Fridays
at 8 p.m. and is repeated Sunday mornings 11:30/10:30 Mtn/Pac. And don’t forget
our valuable website at http://idahoptv.org/idreports/ , where you can listen to live debate as
well as read the best legislative writing from the state’s
journalists.
Admittedly, a program devoted to the inner
workings of the Legislature is not everyone’s cup of tea. But we think you’ll
find this year’s “
People in jeans and in suits snaked their way through two centuries of history, careful not to spill the wine they were clutching.
Meriwether and Sacajawea peered out from the massive Lewis & Clark display that split the hallway lengthwise. Like rocks in an Idaho river, the display created eddies for the 175 people in attendance, making it impossible not to rub elbows with fellow patrons of the arts.
Afterwards, some headed west, toward the all-Idaho feast prepared by chef Jon Mortimer. Others wandered east, toward the jazz band and the silent auction.
Last Saturday’s fundraiser at the Historical Museum in Boise was the second time we’d teamed up with the Idaho Grape Growers & Wine Producers Commission to premiere a television show. This time the program was “Picturing Idaho,” featuring some of Idaho’s gifted outdoor photographers.
The program was shown in two parts, to allow folks to mingle and enjoy the evening. And many of the photographers featured in the show were in attendance: Steve Bly, Mark Lisk, Glenn Oakley, Leland Howard, David Marr, Tim Buckley, Jan Boles.
“Picturing Idaho” was produced and directed by Jim Peck and Alan Austin. It will air statewide on Sunday, December 4, at 7 p.m. It’s a heart-felt look at photographers and the Idaho landscape that sustains them.
If you missed the premiere in November, you don’t want to miss the show in December!
Oh, yes, and there's a calendar you don't want to miss, either, with pictures from all those photographers. This collaborative venture is a First, and it's quite lovely. Needless to say, it would make a beautiful gift this time of year.
Geologist Earl Bennett
warned me. Regardless of what we did, there would be critics. I’m sure he’s
right. It’s been a long time since I worked on an OUTDOOR IDAHO show with so
many complexities. And I don’t think I’ve ever worked on a show where so many
people we interviewed just didn’t make it into the show! We didn’t have time. I
apologize publicly to those fine folks.
The
Then silver prices hit
the skids, the mines closed in 1981, and
A few years ago, the EPA
expanded Superfund to include the entire
Trying to walk somewhere in the middle of all this
has been challenging, and trying to do it in a regular half hour OUTDOOR IDAHO
program has really been challenging. Our Silver Valley
Rising Web site starts to hint at the complexity of some of the issues. It’s
one of our most robust sites ever, with lots of full-length interviews. We
figure that way people interested in the topic of the
This was one of those
times when we explored a topic in two ways, with an OUTDOOR IDAHO program,
followed immediately with a live call-in DIALOGUE show. If you missed our
DIALOGUE program, you can now listen to it streamed on your computer.
I’m hopeful we’ll
re-examine the
The Liberty Theatre marquee blazed brilliantly above the main street of Hailey, Idaho. And inside, a sold-out crowd sensed that something remarkable was about to happen. An Idaho singer in the prime of her singing career, on stage with some of Idaho's best musicians and the 'Divas of Boise.' It was going to be a night to remember!
Earlier this year Idaho Public Television had decided to produce a program on Idaho's own Grammy-nominated folk singer. And the September 17th concert - which we filmed with seven cameras - will be a major part of the program.
Rosalie is a story teller as much as she is a singer. And when she puts those two talents together, the one-two punch can be devastatingly effective.
Her music reflects a lifetime of traveling and a lifetime of experiences. Her distinctive singing voice guarantees that she'll always be one-of-a-kind. As Nancy Griffith remarked, Rosalie is her own genre.
The Divas of Boise - Sirah Storm, Kathy Miller, Rebecca Scott, Rocci Johnson, Debbie Sager, Carrie Padilla,, and Margaret Montrose Stigers - provided a powerful presence on stage for many of the musical numbers. And behind them was a peace quilt, a gift to Rosalie in 2001 by the Boise Peace Quilt Project.
Rosalie doesn't like to be called an "icon," but she's certainly a heroine to many women who have followed her career. Her last recording, "My Last Go-Round," brought her a Grammy nomination in the Traditional Folk category.
Be sure to watch for our March 2006 program, "Rosalie Sorrels: Way Out in Idaho." It should be a fitting tribute to one of Idaho's remarkable women.
As a child, if something was bothering me, I’d often jump on my bike and pedal away. But like many people, as I started a career, the bike became a home for cobwebs.

5,000 miles later, I’m a convert. Biking is easier on the joints than running, allows you to see great territory, increases your aerobic strength, introduces you to wonderful people, and of course, gives you ‘killer’ quads.


"Picturing Idaho" is a new special from Idaho Public Television coming this fall. I've been working on this project with director Alan Austin. The basic idea is to explore the world of photography and photographers in Idaho. So far it's pretty much involved the typical travails of shooting this kind of show -- weird hours, remote locations, and interesting people.
One of the highlights so far has been working with photographers Steve Bly and Chad Case. We headed out with them to the Payette River. These guys aren't just looking for any old shots of rafter or kayakers; they're after excellent photos they can sell to advertisers or anyone else who needs compelling pictures of our state. Steve, for instance, has a long-running relationship with the Cascade Rafting Company.
We got some great video of these vibrant orange inflatables crashing through rapids and smiling rafters enjoying every turbulent moment. I'll keep adding more shots from our shoots, so check back as we crisscross the state "Picturing Idaho."
Oh, the air date for the show is Sunday, December 4.
Can you taste a state?
ards and pastures, to find the flavors of
Then they went one step further and found an
I was one of the lucky ones who got to taste the meal last month. Seated next to me was mushroom expert Darcy Williamson Stewgall and Steve Robertson, owner of
We didn’t eat until 11 p.m., after the regular guests at Jon Mortimer’s restaurant had left. But don’t worry, the meal was definitely worth waiting for!
Chef Mortimer started with a morel mushroom appetizer, f
ollowed by organic salad greens. Next was melt-in-your-mouth
Complementing the meal were the comments from the experts around the table. From Darcy I learned why I haven’t found morel mushrooms near
My only regret is that neither Jim nor Alan were able to enjoy the meal. They were too busy working, creating an OUTDOOR IDAHO program that airs July 7 & 10.
But I have heard that Mortimers, at 5th & Main in
If you want A Taste of
Some said it didn't exist, that it was just a myth. But this
week videographer Pat Metzler and I saw the mythical Palouse prairie in all its
glory.
The impression one gets while driving Idaho's north/south highway is that the
rolling hills of the Palouse are completely dominated by cash crops, like winter
wheat. But a 30-minute drive from Moscow, Idaho . . . and a
20-minute hike up a ridge . . . reveals a lush landscape dominated by
wildflowers and native grasses.
It's called Paradise Ridge, and the name fits. Lupine, geranium, Indian paintbrush, and wild rose grow among the Idaho fescue and bluebunch wheatgrass. We even saw an elk.
Our guides were two photographers, Jan Boles and Alison
Meyer. Jan is the Albertsons College archivist, who is documenting farm life in
the Palouse. Photographer Alison Meyer has lived in the Palouse most of her
adult life.
There are some who might wish the Palouse prairie were a myth. It would make their lives easier. But it does exist. And now the highway department needs to address the needs of this fragile area, says Jacie Jensen, a Palouse farm woman.
Jacie recently took highway officials to the top of Paradise Ridge; and she is talking with them about changing the seed mix the Transportation Dept. will use along the new highway they're building nearby. A wrong mix of seed could eventually prove a disaster to the native prairie.
Our program on the Palouse won't air until next year, but you may see our photographers as part of a December show. In the meantime, let's hope the intelligent folks in the Transportation Dept. listen to the intelligent folks on the Palouse.
This Palouse prairie is definitely worth saving.
It's the busy season, when it's easy to put in a 14 hour day. Such was the case when several of us headed to the Silver Valley this past week.
It's hard to imagine a more colorful district in Idaho than northern Idaho's silver producing region, around Kellogg and Wallace. Robber barons. Labor Wars. Scalawags and Heroes. And that doesn't begin to describe the history of the last 25 years, since the closing of the mines. Lawsuits. Potential Responsible Parties. EPA and Superfund.
And now we're hearing other phrases, like Property values, Californians, and Walmart. Is this Progress or what?! Jeff Tucker and I poked around for four days, talking with folks who would talk with us.
Trees are now growing on the hills around Kellogg. That might not seem like much, but in the 1980's sulphur dioxide had pretty much killed the plant life around this mining town. Later this summer, we're heading back to cover parts of the story that we missed this time.
The ultimate goal here is to create an OUTDOOR IDAHO program to air in October, on what's been happening in this fascinating corner of Idaho.
Producer Joan Cartan-Hansen and shooter Chuck Cathcart were also up north, in pursuit of a story on childhood development. Those important first years in a child's life determine so much. The ultimate goal here is a documentary to air in September, when kids head back to school. And Joan wants to tell her story with folks from all corners of the state.
Jim Peck and Alan Austin are also gearing up for some long travel days, for two Specials that will air during Festival '06. One is on Idaho Photographers; the other is on World War Two vets. Both shows will take Jim and Alan crisscrossing Idaho north and south, east and west.
But it will be hard to beat the miles that Marcia Franklin has logged these past few weeks! Marcia returned to Tehran, the capital of Iran, for a conference on Sustainable Development.
So, lots of miles this month. And lots of video tape shot. And every videographer and producer is hoping, trusting, that it will all be worthwhile.
I think it’s safe to say that most of us in Production don’t think too much about Sweeps. But I have to tell you that -- for the first time ever -- we’ve got three new OUTDOOR IDAHO programs airing in one Sweeps month!
No, we’re not succumbing to Sweeps mania. It’s more of a happy accident.
“Backroad Adventures” airs April 28 and May 1. If you’re the type who finds pleasure in getting off the pavement, you’ll like this show. Producer John Crancer and Director Chuck Cathcart did a great job finding adventures that allow you to stay in your vehicle while still having fun.
The half hour version of “Vintage Idaho” airs May 5 and May 8. I personally prefer the half hour version to the hour long OUTDOOR IDAHO by the same name that aired in December. This stream-lined version really emphasizes the seasons of the grapes. It was a tough assignment, sampling all that fine wine, but Producer Jim Peck and Director Alan Austin made the most of it, and created a lasting tribute to this important
“Buckskin Brigade” airs May 19 and May 22 and is a tribute to the many men and women who love to relive the adventurous days of the 19th century. If you saw our hour long “Back to the Past,” show last March, you’ll notice some similarities and some differences in the approach to this topic.
It really is a happy coincidence that three new OUTDOOR IDAHO shows are airing in the space of one month. And I guess I’m glad it’s happening during May!
Most normal people believe the New Year starts on January 1st. But for a lot of us in Production, it sure feels like the New Year begins in March, after our pledge drive!
By now it's common knowledge that we made our pledge drive goal. We hit -- and surpassed -- the $900,000 mark late Sunday evening, on the last day of Festival 2005. That in itself is quite an achievement!
On Monday morning, less than twelve hours after reaching that goal, our Production Team met to plan our upcoming television schedule. What were our big shows going to be for the coming year? Which "Outdoor Idaho" programs would we tackle?
Here's some of our Resolutions:
A program on Idaho's World War II veterans. Expect a lot of nostalgia in this one.
A program on Idaho's Photographers. Expect a lot of beautiful pictures.
A program on Rosalie Sorrels in concert. Definitely expect a lot of music.
We'll also be doing a program on childhood development; a program on the bounty of Idaho grown products; a program on Silver Valley's brush with Superfund notoriety; a program on Idaho's Centennial Trail, from Nevada to the Canadian border.
And these shows just begin to scratch the surface of what we'll be producing in 2005. You may not know this, but in public television circles, Idaho Public Television has a rich, honored tradition of producing quality, home-grown shows. (In fact, at a recent PBS meeting, we walked away with more awards than any other public TV station in the nation.)
There's a connection between reaching our Festival goal each year and making television worth watching. And we're ready, once again, to do our part.
"West of the Basque" and "Back to the Past"
The influence of the Basque culture on Idaho may not be apparent to everyone. But if Jim Peck and Alan Austin have anything to say about it, that will change with the airing of "West of the Basque."
Their masterpiece airs for the first time at 7 p.m. on Monday, March 7. I’ve had a chance to see snippets of it in the edit bay, and it is quite compelling! You’ll certainly see all the things you’d expect to find – Basque dancers, an accordion, Pete Cenarrusa – but you’ll also see Bilbao, Gernika, the Guggenheim. That’s because Jim and Alan spent a week in Europe’s Basque country, with the best tour guides imaginable: Freda and Pete Cenarrusa.
But the show is much more than a tourist trip. It’s also an emotional and spiritual journey, for a people who have helped shape our state.
"Back to the Past" is the second new documentary to air during March Festival. It seems there’s a bright future in the past, whether one’s interest is the cave-man days, or the chivalrous Middle Ages, or the era of the mountain man. A lot of people are making friends and finding their "family" a long ways from home.
This certainly is one of the strangest assortments of folks ever assembled for an OUTDOOR IDAHO show! So, hop in your way-back machine, ‘cuz we’re headin’ back to the past Thursday evening, March 10, at 8:30 mtn.!
If Idaho were a rain forest, we wouldn’t be producing two shows called "Tapped Out: Idaho’s Water Crisis." But we aren’t a rain forest; in fact, we’re facing another hard year of drought.
Ergo, two important water shows.
The
first one will air Thursday evening at 8 p.m. Mtn, as a DIALOGUE special. The
topic for the entire hour will be the Nez Perce water agreement. This big,
expensive, created-in-secret agreement has finally seen the light of day. The
U.S. Congress approved the pact in December. Now, the Idaho Legislature and the
Nez Perce have to OK it, by the end of March.
People are taking shots at
it, but the smart money says the Legislature will sign on. There’s rumblings
that some of the Nez Perce are unhappy about giving up their claim to water for
a bunch of money, but it is a compromise, hammered out over many, many
years.
Marcia Franklin has some top notch guests around the table and will take your calls. Believe me, this is a big, complicated issue that will affect all of us, at least indirectly!
On Friday,
February 4, our IDAHO REPORTS staff will examine the other big water issue: the
Snake River aquifer. Joan Cartan-Hansen will walk us through the pitfalls of
this sticky wicket at 8:30 p.m. Mtn. As you have probably heard, Idaho’s water
law can be boiled down to "first in time, first in right." But is Idaho
really going to shut farmers’ water off, if it means causing part of an industry
to buckle? This issue does seem a long ways from being settled…
Water means everything to this state. And I’m proud that DIALOGUE and IDAHO
REPORTS have stepped up to the plate to help us all understand what’s at
stake.
As the fog settles into the valley, Idaho lawmakers will begin hunkering down for what invariably will be three long months at the marble Puzzle Palace.
Having covered the Idaho Legislature when we produced a daily “Idaho Reports” show, I know how hard the best lawmakers work. They’d beat you there in the morning, and they’d be there long after we closed up shop, around 7:30 p.m. each day. I also remember how tricky it was to cover something that, frankly, happens too frequently behind closed doors.
Each session always brought a few surprises, even when we knew what the big issues were for that session. That’s something that hasn’t changed, as our “Idaho Reports” staff enters its 33rd year of reporting and analysis.
Admittedly, a program devoted to the inner workings of the
Legislature is not everyone’s cup of tea. But if you’ve never watched an “Idaho
Reports” show, I think you’d be impressed with how hard Jim Peck and Joan
Cartan-Hansen and Ric Ochoa work to make the show accessible to regular
Idahoans.
And the “Reporters” roundtable discussion, at the end of the show, almost always breaks some news story wide open. Besides, those reporters are always good for a laugh!
To those who care about good government, “Idaho Reports” matters. A lot. This year the show airs Fridays at 8 p.m. and is repeated Saturday and Sunday mornings, at 7 and 11 respectively.
Now there’s no excuse to miss the longest running legislative program in the West!
Folks back east may know us for our potatoes, our rivers and our Republicans, but this past month our Production team’s interests turned to Basques, our wine industry, and the state’s growing Islamic population.
Jim Peck and Alan Austin returned from
As you know,
Jim and Alan head into the edit bay in December, and the hour-long production is scheduled to air during our March Festival.
The new Islamic Center of Boise is already too small for
The hour long show, which aired November 18, examined how diverse the Muslim community is, from refugees to professionals, from Bosnians to Africans.
"While some members remain committed to educating the public and law enforcement about Islam, others have been scared to talk openly about their religion because of the backlash against Islamic terrorist attacks and their own fear of Islamic radicals."
The funding for “Islam in
It was a chilly Saturday evening, but the crowd inside the
This celebration of Nature’s bounty and
If you missed the event, you can catch “Vintage Idaho” on Sunday, December 5, during our annual Mini-Pledge drive. This special chronicles a year in the vineyards, visiting wineries from Sandpoint to Glenns Ferry, and meeting the people who are putting the “
There was not a cloud in the sky, and Jim Weatherby and I were getting worried. We had spent the last several weeks preparing for something called "Deliberation Day," in conjunction with MacNeil Lehrer Productions, and we were beginning to think no one would show.
Boise had been chosen as one of 19 Deliberation Day sites around the country. The idea was to generate a random sample of the population, and somehow convince them to spend a drop-dead gorgeous Saturday talking about jobs and national security. There would be moderators and a panel of experts to answer the questions of the 100 folks we were told would show.
Idaho Public Television had joined forces with Dr. James Weatherby's Public Policy Dept. at Boise State University. The event was on the BSU campus.
But people began arriving before 8 a.m., and when the dust had settled, 117 Idahoans from the ten southwest counties, had decided to spend seven hours in small group discussions and a large plenary session. In fact, even though the skies were blue, Idaho had the second best attendance in the nation!
Afterwards, the comments we heard from folks were truly inspirational. One lady said it was the best thing she'd ever done. Another participant, Erik Kingston of Boise, sent me this note, about a conversation he had with another adoptive parent:
Our discussions were both passionate and remarkably civil . . . We had much more in common than anyone suspected . . . We sought out areas of common interest, gently explored what it means to be "pro-life" and "pro-choice," and discussed the potential for those values to coexist.
I think the conversation had an impact on both of us . . . It left us both with a sense that we could respectfully disagree, while cultivating a broader awareness of the impact of this election.
The event was definitely a lot of work for our Production staff, but Idahoans got to see the results in a show called "Time to Choose." You can also view some of the conversation at our Deliberation Day website.
Was it worth doing? I believe it was. And every participant we talked with felt the same way. Besides, citizen engagement with the issues of the day is the cornerstone of our democracy. And in this deeply divided political season, it's nice to know civility is still alive and well in Idaho.
They call themselves the largest gathering of “primitive technologists” in the country. But what the heck is a primitive technologist?
That was just one of the questions Jeff Tucker and I asked ourselves last week as we drove our rig into a wooded area alongside eastern Idaho's Teton River.
"Rabbitstick" -- the name of their gathering -- apparently has been a happenin’ thing for close to twenty years, but hardly anyone we talked to in nearby Rexburg had ever heard of it.
What is a "primitive technologist"? Well, it means you can build a fire in less than a minute by rubbing two sticks together; it means you can create a knife out of rock, one that never needs sharpening. It means you know how to use the brains of an animal to tan the hide. It means you can construct a useable basket out of tree bark and sticks.
In other words, a primitive technologist would be a real asset on "Survivor!"
The organizer of the week-long event, Dave Westcot, is an outfitter who understands that getting this kind of group together isn’t easy. He says it requires a complete lack of ego on his part. Luckily, all these people have emails and understand websites, 'cuz many of them don’t live in traditional houses.
Dave comes across as rather laid back, but his motto isn’t: "Stupid people should die." Seems a bit harsh, until you realize that he’s really just re-stating Nature’s own rule, survival of the fittest.
One of the first people we met in this gathering of 200 individuals was an attractive blond woman dressed only in buckskin. When we first met her, Lynx was pasting brain matter onto a buffalo hide to soften it up. It was obvious she’d done this before.
But her claim to fame is taking people out for three months at a time in northwestern Montana and teaching them to live completely off the land. In fact, she even had a video she was selling, documenting that experience.
It was her husband, Digger, who demonstrated the fine art of fire-building with sticks. Digger had the looks -- and the outfit -- to pass for Tarzan.
Lynx and Digger were only two of the many fascinating folks we met that day, and who will be featured in our OUTDOOR IDAHO program, "Back to the Past," which will air in March of 2005.
One of the highlights of the event was the Thursday evening bonfire. Wood was piled about ten feet high, and as darkness settled over the area, the fire was lit, to the beat of big handmade drums. Close to a hundred people started dancing around the fire -- some of them wearing masks created for the occasion. It was mesmerizing.
And while most Idahoans that Thursday evening were probably sitting around a television set in their living rooms, these primitive technologists were having a grand time, celebrating with the "Family," oblivious to the comforts of the 21st century.
Sometimes it takes working on a show to make me realize what we’ve got here in Idaho… or, in this case, what we’re about to lose.
"The War of the Weeds” is scheduled to air September 16th. This program started as an idea several years ago, then got going in earnest this past year, as Ric Ochoa, Jennifer Isenhart, and I worked to finish it.
Trying to make weeds exciting is probably asking too much, although when folks watch the initial 45 seconds of the show, they might think we’ve gone off the deep end! Aficionados of old sci-fi movies will recognize scenes from “The Day of the Triffids.” The DVD cover says it all: “They grow…know…walk…talk…stalk…and KILL!”
Ok, so maybe it’s a bit over the top for an OUTDOOR IDAHO show. But consider this. According to the BLM, the West is losing three thousand acres a day to noxious weeds!
That still seems like a misprint to me… but last weekend I did discover rush skeletonweed on my property outside of Idaho City. And I know that my neighbor has recently sprayed for spotted knapweed, another of the 36 officially recognized “noxious” weeds in our state. And while gathering firewood this past weekend in the Boise National Forest, I discovered patches of Canada thistle near the dead tree I cut down.
As the song goes, ‘Ya got trouble, my friend, right here. I say trouble, right here in River City.’
Hopefully, our show will provide some awareness of the problem, because it’s not going away. We traveled with the Chief of the U.S. Forest Service to Garden Valley for the show; and all that green on some of those beautiful hillsides… it’s not grass, folks. Rush Skeletonweed has quietly taken over, while hardly anyone was looking.
Most mountain bikers already know about puncturevine, or goathead. The rest of us will soon come to learn about tansy ragwort, leafy spurge, dalmatian toadflax, yellow starthistle, and Eurasian water milfoil.
Unfortunately, these invaders are hard to kill and can spread like wildfire. They have the power to change the way we work and play in the outdoors. Makes me think that maybe those old science fiction movies weren't so far off the mark...
Yuri, the
Yak Slapper was in fine form. This Idaho construction worker looked like he had
just stepped out of the Middle Ages. In fact, they all did, all 700 of them.
But Yuri was crying like a baby, something I wouldn’t
have expected from one of Kublai Khan’s warriors. But those were tears of joy.
Yuri the Yak Slapper was getting knighted by the King and his
court.
Not sure
what you were doing last Saturday, but videographer Jeff Tucker, volunteer
Dennis Fetzer and I were in a beautiful cottonwood forest outside of Idaho
Falls, with members of the Society for Creative Anachronism.
We had
expected to see people dressed up like knights and squires and artisans and fair
maidens, and we had expected to see men in armor beating on each other with
swords and other medieval implements of warfare. That’s what the SCA is all
about: re-creating the Middle Ages, minus the Plague and the Inquisition. The
Middle Ages the way it should have been.
What we did not expect to see was a
ceremony full of real joy and feeling, that brought tears to my eyes, and I
didn’t even know the Yak Slapper!
Apparently, a knighting ceremony is
a rare event; and Yuri was very kind to allow us to videotape his special day.
In the post interview we conducted, Yuri called it the best day of his life, and
I certainly couldn’t disagree. These were his friends; he called them “his
family”; and they were recognizing his bravery, his chivalry, his years of
service to the SCA, with their highest honor:
knighthood.
Part of that day’s events – which for us began at 5:30 a.m. and ended after midnight – will be featured in an hour-long show called “Back to the Past,” which will air during our March Pledge drive. It’s a show dedicated to all those hearty souls who search for fun in another time zone.
The lucky
ones, like Yuri the Yak Slapper, find more than a good time. They also find
their true family.
Making television is a bit like being a chef. If you’ve got the right ingredients, things will usually work out. That’s where Idaho and her people make our job easy. Lots of good ingredients everywhere you look.
June is one of those work-horse months for producers and videographers, where we gather the ingredients. The days are long, and we can drive across the state and still have time to shoot the story. And by now, we’ve had enough discussions to know what documentaries actually made it on to the menu.
Here are a few of them: “Pushing the Boundaries”… “War of the Weeds”… “Priest Lake”… Back to the Past”… “Backroads Adventures” …”The Basques.”
Each of these shows has at least two chefs…a lead producer, who is responsible for shepherding the idea along; and a director/editor, who will eventually have to put the show together in the edit bay. Hopefully, the two chefs are on the same page!
Joan Cartan-Hansen is the lead producer behind “Pushing the Boundaries,” about young kids in the outdoors. John Crancer will be shepherding the “Backroads Adventures” show and will be spending several days at Priest Lake this summer.
Jim Peck will be learning a lot about Idaho’s Basque culture this summer. And my assignment includes weeds and a show about folks’ fascination with the past. Our director/editors are Pat Metzler, Alan Austin, Ric Ochoa, and Chuck Cathcart.
Unlike a meal, which can be eaten relatively soon after collecting the ingredients, one of our shows can easily take two months to finish. That includes several weeks of shooting, a week of writing, and five or six weeks in the edit bay.
But one nice thing with television: you can have your cake and eat it, too. Over and over again.
This is the season for Awards. Let’s face it, no other profession – with the exception of acting – has so many chances to pat oneself on the back!
The other day, the folks I work with brought home a handful of 1st Place plaques from the Idaho Press Club, scores of paper awards for 2nd and 3rd place, and Judges Comments. Fourteen awards in all, five of them First Place.
Some of the Comments were gratifying. Regarding a First Place for OUTDOOR IDAHO’S 20th Anniversary show: “Obvious from the first ten minutes that this is a station that cares to provide the best! Idaho should say thank you. What a commitment.”
Another OUTDOOR IDAHO show, Teton Inspiration, won the Documentary Category. The judges wrote: “A story that makes a difference. Shows us the strength of the human spirit. Thanks for the hard work.”
Our DIALOGUE FOR KIDS Space Careers show also won a First Place Award: “Well told. I’m sure it inspired lots of kids.”
There’s no question that our Production crew stacks up very well against others in our profession. Even when the Awards are “national” in scope, like the New York Film Festival or the recent Worldfest International Film Festival, we have held our own. In fact, at the recent Worldfest in Houston, we garnered six awards, including a Gold Special Jury Award for that 20th Anniversary show.
Paying too much attention to Awards can warp your mind. But I’ve also seen it motivate folks to try harder and to try different approaches. And that’s not a bad thing.
Certainly more than most television stations, we seem to have an abiding connection with the Corps of Discovery.
It began back in 1997, with efforts to produce our first Lewis & Clark documentary, "Echoes of a Bitter Crossing: Lewis & Clark in Idaho." A group of us -- Alan Austin, John Crancer, Pat Metzler and me -- spent several weeks in and around the Bitterroot Mountains. I can’t say we suffered cold and hunger, like the explorers did in the fall of 1805. In fact, we ate pretty well! The Lochsa Lodge was our rendezvous point. But we did manage to get stuck a few times. Even in July, the snow was deep in places!
We came away from that encounter with the distinct feeling that Serendipity plays a big role in the Bitterroots. Things happened to us -- for us they were good things -- that definitely helped our production. We ran into the right people precisely when we needed to. We were lucky, and we knew it.
Our second production, "The Journey of Sacagawea," was a co-production with Idanha Films. In 2000, John Crancer, Alan Austin, and Pat Metzler joined up with Lori Joyce to produce a multi-state production that, like "Echoes...," is being shown nationally on other PBS stations.
This year marks our third production, "Lewis & Clark: Crossing the Centuries." John Crancer and Pat Metzler have been hard at work telling the story of how things have changed -- or not changed -- in two hundred years on the Lewis & Clark trail. Again, it’s a multi-state exploration, with lots of re-enactments and gorgeous scenery. The show will air March 11 during our Pledge Drive.
These three shows are our Lewis & Clark Trilogy.
But wait. There’s more. Out of the footage from "Crossing the Centuries" will come a half hour OUTDOOR IDAHO show on the Expedition, told from the point of view of the Native Americans. And their point of view is a bit different! This show will air in the fall of 2004.
And wait! There’s even more. We are putting together a series of one-minute Journal entries... readings that will start in St. Louis in 1804, proceed up the Missouri, through Idaho, to the Pacific Ocean, and then back to St. Louis in 1806. We’re not sure how many there will be yet -- if funding comes through, we’ll do 39 of them -- but the first ones will start airing in May of this year.
You’ll be able to see them off and on for the next several years, in that space between our regularly scheduled programs... where other stations put commercials. For many folks, it will be their first encounter with the actual writings of Lewis & Clark. They have a style all their own!
And then we think we’re done with the Odyssey of Lewis & Clark. Of course, we've said that before...
Architecture has been called "frozen music." But it can be a vicious business. I was reminded of that when we conducted interviews for our show "Designing Idaho."
We heard architects complain about losing ground to contractors who try to cut them completely out of the equation. And there’s the usual complaints about other fellow professionals.
I have always admired the architects who create our large buildings. I can only imagine how complicated it must be these days to design a public building or even a $2 million dolllar house in Sun Valley. But designing the building is only part of the challenge. Then architects have to work with the client and the builders to make sure their plans are followed. They almost never are. There are always compromises or screw-ups along the way.
I built my own home (without an architect). It’s a log cabin in the woods. As houses go, it’s simple, although some things make it different. It’s a vertical log cabin, and the floor consists of large, three-foot wide planks cut from a big ponderosa pine with an Alaskan chain saw. But its charm, I guess, is that it seems to fit the landscape.
When architects Jack Smith and Mark Pynn showed us some of their creations in Sun Valley, I was astonished at the electronic wizardry that can go into a modern home. There are rooms larger than many bedrooms devoted just to furnaces and pumps and conduits and such. It looked as complicated as Apollo 13!
It reminded me that architects must not only have a good sense of design, but they must also be part engineer as well. The good ones are able to use both sides of their brain surprisingly well.
I guess that’s why they get my admiration.
But both videographer/director Alan Austin and I faced a problem after hanging around architects this past summer. We both came to hate our own homes. They just didn't seem good enough any more. Alan went home and re-painted his. I went home and cleaned up my back room and did some landscaping.
Who knows, if more architects stepped up to the plate to tell our city fathers what works and what doesn't in our cities, maybe we could improve the urban fabric... or at least get it re-painted.
Climbing to 10,800 foot Patterson Peak summit with a tripod slung over my shoulder. Cooking beans and soy dogs over a one-burner backpacking stove. Car camping at elevation 9,500. Three sunsets and a sunrise over the Chinese Wall. Dinner with Idaho historian Cort Conley. And that was all in one week!
When I return to college in the fall and my friends ask me what I did this summer, I don’t know if they will believe me. As an intern with Idaho Public Television’s production staff, I was given the privilege to join John Crancer and Pat Metzler on a one-week shoot in the Boulder and White Cloud Mountains during the month of July.
We began the shoot on Sunday, July 6th, with a short three-hour drive by Idaho standards from Boise to Stanley. The next morning we woke early to the sounds of eager river rats leaving town for the River of No Return. After having a hearty breakfast with a large group of ATVers and trail-bikers, we followed them up Pole Creek Road, which divides the Boulder Mountains from the White Cloud Mountains, for a day of filming. As our first full day came to an end, we explored the remains of a mining community at the end of the dirt road and set camp. Even though this was the best car camping location I have ever found in my twenty-one years growing up in Idaho, the strong winds swirling around the nearby peaks were a poor substitute for a nighttime lullaby.
We spent the remainder of our week driving, backpacking and hiking through a vast stretch of the White Clouds from Pole Creek Road to the East Fork of the Salmon River. On Wednesday, four members of the Idaho Conservation League led us to a ridge overlooking Ants Basin where we met mountain man and long-time employee of the Sawtooth National Recreation Area Ed Cannady. We learned that he was preparing to leave for a two-week, one hundred and thirty mile backpacking trip in Glacier National Park with his wife who recently broke her arm. Hesitantly, we followed his recommendation to scramble along the steep, loose rocks of Patterson Peak. Although we probably spent more time trying to talk one another into turning around than actually hiking, we ultimately reached the summit with a rewarding view of Castle Peak.
On our final day in the field, Friday, July 11th, we drove to the home of 81 year-old rancher Dick Baker expecting to find him resting indoors like most men his age. Instead, we were surprised to find that he had left early that morning to spend the next couple of days out in the mountains herding his cattle. Disappointed to miss meeting this legendary man, we hit the road for our return trip home.
As we pulled into IdahoPTV’s station a little before midnight, I recalled the many voices and sights of the last week. I realized that no other experience would have introduced me to such a wide range of views and hidden parts of the Boulder and White Cloud Mountains in such a short amount of time.
One of the things that we can do better than any other statewide entity in Idaho… is zero in on an issue or a topic and cover it with both video and Q&A. And June 12 that’s exactly what we did… for an hour… on statewide television.
Our new OUTDOOR IDAHO show on the Clearwater National Forest was followed immediately by a DIALOGUE with key policy makers and citizens.
“Conflict on the Clearwater” explores some of the challenges confronting this gem of a national forest. It’s a forest that has seen big trees, big elk herds, big fish, big wildfires… and big controversy. And it’s a forest that has changed dramatically in the last hundred years.
Immediately following OUTDOOR IDAHO, host Marcia Franklin of DIALOGUE opened the phones to allow folks to question Clearwater Supervisor Larry Dawson about what he plans to do about fewer elk and less timber cutting. Dawson was joined by citizen sportsman Ted Zmak, Wilderness Society spokesman Craig Gehrke, and public lands attorney Bob Maynard.
Not every OUTDOOR IDAHO show lends itself to a follow-up DIALOGUE discussion, but when they do, we’ll take advantage of the opportunity. We believe it’s the kind of statewide television that helps Idahoans appreciate the complexity of their remarkable state.
Our annual Pledge drive has ended, and once more IPTV has made - actually exceeded! - our goal of $900,000. This is money that will be used to provide programming, including local programming, for the upcoming year.
Even more than in past years, local productions were front and center during the sixteen day "beg-a-thon." "Idaho Rhapsody," "Idaho Edens," "Angler's Paradise," "Aerial Tapestry," "The Journey of Sacagawea," "Idaho, A Portrait," DIALOGUE and IDAHO REPORTS… these are some of the local shows that aired this year.
The big winner for the entire "Festival" was the ninety minute OUTDOOR IDAHO "Twentieth Anniversary Special." Of course, the show aired twice during the sixteen days, and it aired on the final night's festivities, but it did seem to resonate with a lot of folks who watch us. It was an interesting mix of public affairs, fuzzy animals, interesting people, drop-dead scenery, and, oh yeah, humor, almost all of it at my expense!
I particularly liked that the program showcased the work of everyone in our Production unit. That's as it should be, since it is the one show that we all work on throughout the year. It is the talent and passion of my colleagues that has allowed OUTDOOR IDAHO to shine brightly for twenty years.
In March of 2003 "Outdoor Idaho" will be celebrating its 20th anniversary. We will be celebrating the way most television shows celebrate these events… on the air.
By my calculations, we've produced about 190 Outdoor Idaho shows since October of 1983. Okay, to be honest, some of those were half hours reduced from original hour programs. So, let's say we've produced about 175 original shows.
I have no idea how many miles that represents traveling around Idaho, although I do know it has involved several vehicles. I remember an interview we did with then Governor Phil Batt. We picked him up at the Capitol in our ugly blue station wagon with over 150,000 miles on it. We shot the interview, and were driving Mr. Batt back to the Capitol. He asked to be dropped off several blocks from the office. Come to think of it, I can't say I blamed him. I do know that in the next budget cycle, we received a new vehicle.
Trying to figure out what should go into a 20th anniversary show has been fun… and frustrating. One thing we don't want to do is just show clips from the past, because, frankly, we do enough of that already. We want new material for our 20th anniversary, but we also want to look backwards and forwards.
So, we've decided to do this… four segments of twenty minutes each… on Environmental Issues…Outdoor Idaho Beginnings… Wildlife…People & Places. There will be new profiles, a campfire discussion with a group of interesting people, a behind-the-scenes look at how an Outdoor Idaho show is put together, stories on salmon and wolves and other wildlife, Testimonials, and "I Remember" segments sprinkled throughout the show. They'll even be an ode to hats!
We'll be in the edit bay through part of January and all of February, and God willin' and the creek don't rise, we'll finish just in time for you to watch our efforts, on the evening of March 6.
If you've ever wanted to clone someone, then you'll understand my fascination with 85 year old Bud Moore. Bud used to be the Forest Ranger at Powell Ranger station in the Clearwater National Forest. If I could clone him, I'd stick Bud in all the ranger stations in the West, because I'm convinced so many of our problems on Forest Service lands would quickly vanish with him at the helm!
I met Bud in late September, when videographer Tom Hadzor and I went up north to begin working on a story on the Clearwater forest. The Clearwater is a complex forest, one of the real jewels of our nation, and loggers and enviros definitely believe it is a prize worth fighting for. The Forest Service finds itself stuck in the middle somewhere, trying to do what's right for a public that can't seem to agree on much.
That's where someone like Bud Moore could be of help. He's a big friendly bear of a man, who immediately puts people at ease with his smile and his wisdom and his candor. Oh, yeah, and his energy! This guy is in better shape than most 50 year olds!
Bud took us to Rocky Point lookout, one of the highest points in the Clearwater. From there we could see why Lewis & Clark had so much trouble in this country. We could see why loggers value the timbered hillsides and drainages. We could see why some folks are upset with so many clearcuts.
Bud makes no bones about it: the Forest Service made some mistakes in the past. They lost the respect and trust of the American people; so now they have to work overtime to get it back.
Bud is a big believer in “ecosystem management,” managing for the entire forest. Get the timber out, sure, but don't wreck the land to do it. On his own eighty acres in Montana, Bud is actively practicing ecosystem management, and he's convinced his neighbors to do the same. He takes trees off the acreage, but it's also a haven for animals, including the grizzly bear.
We'll be seeing more of Bud Moore in our 20th Anniversary Outdoor Idaho show in March. Someone this wise about the forest just needs to be profiled!
Even before the llamas and hikers and ATV had made it back to the trailhead, folks were calling it memorable.
Our 20th Anniversary “Outdoor Idaho” work party featured an eclectic group of folks… a beautiful mountain lake… wonderful weather… and, best of all, incredible food!
We needed to shoot interviews and scenics for our 20th anniversary show in March, as well as our fishing show in December. So… we figured the most economical way to accomplish all this was to do it all at once!
Twelve llamas loaded with food and supplies, a horse, one ATV stacked high with cameras and tripods, converged on a lake about 40 miles from McCall, Idaho.
But I digress. Let's get back to the food. Dutch-oven baked salmon, garlic mashed potatoes, salad, huckleberry-chocolate-peach dessert. And that was only the first meal! In the space of 3 ½ days, our chefs -- Jo and Jay Rais, Kay Johnson, Ann Joslin, Greg Doner, and Norm Nelson -- never failed to delight the dozen or so people who hiked the three miles. Pork tenderloin, rice, black bean soup, tortillas, quesadillas, and chocolate cream cheese chocolate chip cake… We were all happy campers!
Oh, yeah, we also managed to shoot several segments on mountain fishing and camping. Three videographers -- Alan Austin, Pat Metzler, Jeff Tucker -- spread out over the landscape, capturing on tape the majesty of this charming mountain setting. Our December program, “Idaho, An Angler's Paradise,” will feature some of their unique artistic sensibility. Joining the shooters were “Outdoor Idaho” producers John Crancer and Marcia Franklin.
One of the highlights of the trip for me was a campfire discussion late into the evening. The topic we threw at our guests: How has Idaho changed in the last twenty years? Eventually some of this will make it into our March “Outdoor Idaho” program. Probably all of it will make it onto our web site.
I also took from the trip a few other memories: Teaching a young child how to fish (and thankfully, having the fish cooperate!)… serving espressos in little silver cups to some of my late-sleeping comrades… and thinking how very lucky I am to have such great friends and to live in such a rugged state!
After driving nonstop and shooting non stop for 5 days, we finally stayed in one place for 2 days. Which is actually back where we started from in Great Falls. Yes, we did one of John Crancer´s infamous “circles of shooting doom”… where you drive and drive and drive, and shoot and shoot and shoot, and he say´s…”I just want to check this road to see if there´s a shot”… and you´re thinking to yourself… “do we really need this, we´ve already got GREAT stuff?´´… and it´s 9:00PM… we still haven´t had dinner, much less a place to stay the night.
Day Two
So on day 2 the bantering pretty much became non-stop from yours truly. John became “MAP GUY”… because, of course, he bought every Gazetteer he could find cause they were on sale… He even has one of Nevada, and we´re not even going there! There are maps all over the dashboard…
Lori Joyce became “SPIRIT GUIDE”, cause when we couldn´t find a shot without power lines or urban sprawl, she would do her MOJO (secret books, chants, etc… don´t really know for sure, she won´t say) and then all of a sudden MAP GUY would say…”hey, turn on this road past the bridge, I think there´s a shot”… and guess what?… there before us would be THE shot, the one and only that would work!
I of course, working on my tan and being from LA LA LAND, was dubbed “SHOOTER DUDE”. So that´s how it went for days 1 & 2.
I neglected to mention the gleam in Pat Metzler´s eyes when he realized that he got to go home on my day 1. He did look tired in more ways than one, and you gotta love him… he left us all of his 252 music tapes, which I thought we would never need. But, now I´m convinced we´ll listen to them ALL at least twice by the time we get back to Boise.
Day Three
As we were climbing Lemhi pass from the Montana side -- where Lewis & Clark first saw Idaho -- to get the last shot of the day, I kept hearing an unusual banging noise coming from the back wheels. The road looked good and I was looking for that magic shot, so I wasn´t too concerned with the noise, and anyway… I wasn´t driving. There had been some thundering and rain but at this point the light was just beautiful and SHOOTER DUDE was looking for the sweet shots.
Then without warning and right out of an action movie, I´m looking at the side of the mountain… the Tahoe is going SIDEWAYS down this dirt road without any sign of stopping anytime soon… At this point I gotta hand it to MAP GUY… he kept his cool cause it could have been bad… he does a total Mario Andretti and cranks it the other way… now we´re going sideways the other way and I´m looking down a step ravine… then back again the other way… OH NO…will this ever stop!… then a few fishtails, and he gets it under control! Whew!!
After we took our hearts out of our mouths and put them back were they belong… we realized it had rained really heavily just on this section of the road. Then MAP GUY says…”yeah, there was a sign back there that said ROAD UNPASSABLE WHEN WET” Now he frantically is trying to put the Tahoe into 4 wheel drive, cause it looks like we´re gonna get stuck in the middle of nowhere in mud that looks like chocolate pudding!
During all this SPIRIT GUIDE was totally calm (or at least appeared that way)… I think she was praying. Whatever it was, it worked, cause we made it to the top and got great shots.
That night we ate a fine meal at Bertrams in Salmon,ID. SHOOTER DUDE could be found at the bar de-stressing, ‘cause Bertrams brews their own. You should definitely try the “Lost Trail Amber”, but don´t take that road if it´s wet!!!….
More to come from North Dakota. if the Indians don´t get us and the hotel room has internet access… see ya all soon… I HOPE!
When I pulled on the big padded suit and faced the snarling police dog I had no idea I would be providing such merriment for my friends and co-workers. It seems there's nothing that makes people you think are your friends happier than seeing you get gnawed on by a big dog. But more on that later.
Putting together "Our Dogs" for Outdoor Idaho was a great assignment for me. I'm a dog person. It's not that I have anything against cats, mind you, it's just that, well, if you can have a dog why bother with a cat? I like the old line about the difference between cats and dogs, "If your house catches fire in the middle of the night while you're asleep a dog will bark and pull at your clothes so you wake up and save yourself and your family. A cat will slink silently out the back door."
"Our Dogs" takes a look at a handful of people and the dogs they work and play with. It's always amazing to see how in tune these teams are. From the sheep dogs to the search and rescue dogs, there's a strong bond between K9 and human. Getting a chance to show some of that in the program was very cool.
Heading out on the grouse hunt with author Craig Kulchak was something I was really looking forward to. It was my first chance to hunt in Idaho. After years on the flatlands of the Midwest, it was great to be up in the mountains, making my way through the pines. If you saw the show you know that the weather changed dramatically while we were out hunting. What you don't see in the show is Craig and me heading home in his vintage Land Rover. It's a terrific vehicle. Goes anywhere. Climbs hills like a mountain goat. And the experience is enhanced by the open air ride with the top off. Craig likes to drive around and feel the wind in what's left of his hair. I liked it too. Until the temperature dropped into the 30's and rain, sleet and then snow pelted us the entire drive home. But I did feel like I was a real "guy" riding along with Craig. I mean, what could be better than freezing your behind off while listening to hard luck tales of the hunt? Listening to this while creeping along at just over 20 miles per hour (the top speed of the old Land Rover)? Listening to these stories of near misses and REALLY bad weather while getting the opportunity to claw the ice off of the inside of the windscreen with bare hands so he can see where we're going? I ask you, what could be better than that?! I would like to point out that our hardy crew was snuggly warm inside the production vehicle. And I now dislike them intensely due to their smugness upon our return.
Oh, and did I mention we didn't even get to take a shot? That the only bird we saw was the one you viewers saw sitting in a tree? And did I tell you how my heart was warmed by the knowledge that Craig got some "great" shooting in the day BEFORE we arrived for our hunt? I mean, the freezing cold and soaking wet conditions hardly mattered once I knew he had cleaned up on grouse less than 24 hours earlier. But I'm not bitter. No way.
Fortunately the other shoots went smoothly. Pam Green and her search and rescue dog Inca were wonderful to work with. Jeff and Judy Snyder and all the folks at the Ashton Dog Derby were a pleasure. Joan Cartan-Hansen has nothing but good things to say about her shoots with sheep dog trainer Patrick Shannahan. But for me, the best part was indeed getting chomped on by Rader, the Nampa PD's ace K9.
What I liked was Lt. Rick Wiley's easy nature as he helped me cram myself into the bite suit. That thing weighs about 60 pounds and you'd think it could protect you from just about anything. Really, you'd think that. Wouldn't you? I did.
The whole feel of the shoot changed when Rader discovered the rare delicacy of fresh producer. He seemed so nice, peaceful, playful and almost a bit reserved. Until I donned the suit. Then I was like a big ol' hunk of bacon to him.
Now, I want to point out that this is the portion of the show that has friends of mine here in Idaho and across the country with their fingers on the rewind button of the VCR remote. I have been regaled by tales of their "watching it over and over" so they could see me take the punishment this dog was dishing out. My dad called from Wisconsin and said, "Wow, it was fascinating to see that dog attempting to eviscerate you." My dad tends to talk like that and actually does use words like eviscerate. I could hear the joy in his voice. Was this a kind of payback for my teen years? My mom was a bit more sensitive about the experience, "Was the dog okay?" Yes, Mom, the dog was okay. My best friend and best man called to say he hasn't had so much fun since I got blind sided by a cheap, illegal block during my gridiron days of long ago. And, of course, the entire Idaho Public TV staff gathered 'round the edit bay to watch me in super slow-mo as I, dressed in a fashion that only the Michelin Man could envy, lumber clumsily away from Rader, just far enough to give him a proper chance to hit his stride before taking me down and out swiftly and viciously. With friends like these...
If you wonder, as you watch me getting treated like dog jerky, what is going through my mind it was this; "Okay, I'm on the ground, the dog is attacking me and there is nothing covering my head. Wait, I'm all right, he's well trained."
So now you'll understand my delight when, only moments later, I asked Lt. Wiley how they train the dogs not to go for the head and neck. "Oh, they do sometimes," he calmly explained. "Every once in awhile they catch an ear or something. It happens."
Ah, the joys of television.
Please always remember, dear viewers, the things we do for your enjoyment.
Until next time...
Jim
It´s maybe the toughest, most contentious issue facing the Intermountain West, and the folks in our studio tackled it head-on: what to do about a limited resource that more and more people are demanding.
John Keys was there. He´s the head honcho at the Bureau of Reclamation, the agency which made the desert bloom. So was law professor David Getches, author of several important books on western water issues. These two panelists were joined by Jeff Fassett of Wyoming and Kay Brothers of Nevada... and an audience of dedicated professionals from every conceivable political persuasion.
For almost three hours folks spoke and argued passionately about high fallutin´ topics like in-stream flow, prior appropriation, beneficial use, and tribal water rights.
Can the 150 year old doctrine of “first in time, first in right” survive the onslaught of masses of people moving to the west? These folks expect water on demand. They expect water in the streams for fish and wildlife. Many of them don´t give a damn about the needs and rights of farmers and ranchers, whose claims to the water predate many of the cities. And what about those pesky Native Americans who say their rights supersede those of irrigators? Some of our most persuasive audience members came from the Nez Perce, the Sho-Bans, and the Coeur d´Alene tribes.
Is there enough flexibility in the system to avoid the train wreck that many foresee? Not surprisingly, there are no easy answers; but water experts like author David Getches, Commissioner Keys, Wyoming consultant Jeff Fassett and Nevada official Kay Brothers did hold out hope that disaster could be averted, that there is indeed flexibility in the system.
“Draining the West?” aired as an hour long program on May 16 in three states: Idaho, Wyoming, and Reno, Nevada. It is the second of three projects funded by a grant from the Ford Foundation. Our partners in the experiment were Wyoming Public Television and Reno Public Television.
If you missed the show, be sure to check out our interesting, if dense, web site at www.focuswest.org. But don´t be in a hurry, because we´ve got the entire two and a half hours of debate indexed and analyzed in fascinating ways, with lots of streaming video.
Two of my colleagues, Joan Cartan-Hansen and Al Hagenlock, have created a half hour show focusing primarily on issues surrounding Native American tribal rights. Central to this program is a video piece that Marcia Franklin put together after talking to folks on all sides of this tough issue. This half hour version will air eventually; and, like the hour long “Draining the West?” can be purchased on-line or by calling 1-877-224-7200.
As someone who helped pick the panelists and the twenty eight audience members, I was pleased with the assistance I received from the Idaho Water Users Association and from Idaho Rivers United, two groups with decidedly different agendas.
And I was reminded, once again, of the power of ideas and the importance of public affairs to Idaho Public Television´s mission.
One of the best parts of my job is getting a chance to go to interesting places and to meet great people. This assignment was no exception. The Frank Church River of No Return Wilderness Area is spectacularly diverse and has a rich historical past. The only sad part of this assignment was all the great material we had to leave out!
The first thing we shot was actually the third segment of the program, tracking wolves. I can't say I am much of a morning person and trackers all seemed to start before the sun comes up. But our hosts, Dan Gardoquia and Jon Young from the Wilderness Awareness School were very patient. They opened my eyes to a new way of looking at the world. Listen for the birds. Smell the ground. Read the landscape. You don't have to go into the backcountry to experience tracking. Start by looking around your back yard or a near-by park. Dan said tracking was part of humankind's blueprint, something so old it is something all of us have inside. After working on this piece, I think he is right.
Next was a backcountry plane trip into the Frank Church Wilderness. Having had one plane crash in my life, I am not a big fan of small planes. But this ride is a piece of cake. And Taylor Ranch is one of the most beautiful I've ever seen. It was absolutely amazing to be standing that close to a bear. The huffing sound they make when you are too close and they are annoyed really does make the hair stand up on the back of your neck. On our first night there, everyone at Taylor Ranch welcomed us with a barbecue. We had a delightful conversation about evolution and about what it like to live in the most remote year-round residence in the lower 48. They all went out their way to help us do our piece and I appreciate their kindness.
Jim Peck put together the story on the llama trek. He hadn't been in Idaho very long when he did the piece and I hope it was a good introduction to the state. When I tell people we get to go on llama trips as part of our job, they always claim that's the kind of work they'd like to do. I won't argue that it is fun, but it is work. Jim does a great job of making the viewer feel like he or she is coming along for the ride.
The final piece I worked on is the first piece in the show. I have long hoped to do a full biography of Frank Church. It is even a joke among my colleagues, Joan and her Frank Church "doc." But I think his is a story worth telling. And you can't tell his story without his wife, Bethine.
Bethine Church is an amazing lady. She is equally at home in the lofty circles of power in Washington D.C. as she is on porch of an Idaho ranch house. Together, she and Frank made a huge difference in Idaho and in America. Whether they agreed or disagreed with Frank Church's politics, no one questioned that he did what he felt was right, even at great political expense.
Frank Church said that saving the River of No Return Wilderness, as it was called then, would be his last great accomplishment for Idaho. It was, but what a wonderful gift!
At the end of my first legislative session in 1991, I clipped out a Gary Larson cartoon (don't you miss those?) and gave it to my boss at the time, Barbara Pulling.
The comic showed an ant sitting in a classroom, raising his hand. "Teacher, may I be excused?" he was saying. "My brain is full."
That's certainly how I felt, after learning what I considered to be a whole new language. "First readings," "print hearings," "10th order"--- the terms of the legislative process, while often arcane, have great meaning. After one session, I still felt like I had a tremendous amount to learn. Even though I had grown up in Washington, DC, I was virtually clueless about the legislative branch.
This year will mark the 12th session that I have covered the Idaho statehouse, and I'm still learning. But there's at least one large comfort--the fellowship and group knowledge of the other reporters here.
Many people may not realize that more than 15 press people from around the state have their offices in the basement of the Capitol during the session.
The Idaho Statesman, KBSU radio and the Associated Press have permanent space, but the rest of us troop in for three months a year to spend our days in the "bullpen," a large area also inhabited by broken down chairs, a 1960s era refrigerator and shag-carpeted office dividers. IPTV also has a small studio and control room from which we can do interviews with lawmakers.
Gone are the green eyeshades, the smoking (even Bob Fick quit) and the drinking (the carouser moved out of state). But the intensity of coverage has not waned. Although budget cutbacks have meant that the Idaho Falls paper does not have a fulltime reporter here, all the other major papers in the state still do.
And what has impressed me has been the new crop of reporters that has arrived, interested and intrigued by the process of government, and committed to conveying that to their readers.
"This is an honor," says Brad Hem of the Idaho Press Tribune about the beat. "I beg to do this."
Hem, 24, a graduate of the University of Missouri, says while some might consider government reporting boring, he never has a dull moment. "For three months this is where some of the most important decisions are made," he says.
"I like living my beat," says Graham Garner of the Pocatello-based Idaho State Journal. "Everyone I need to talk to is here. Within four floors, I've got all the fodder I need."
Garner, 23, a fulltime ISU student, is a native of Idaho Falls. But he never knew about how state government worked until he started reporting at the legislature.
"If anybody could come and watch this for a week," says Garner, "they'd have such an appreciation for it. No matter how much you watch that "How a Bill Becomes a Law" film, it doesn't stick until you see it."
(Note to Graham: have you seen "Saved by the Bill?" Check out idahoptv.org/saved. We think it's a pretty cool site.)
It certainly isn't money that brings these new reporters to the beat. Many are making $20,000 or less a year. "The guys who repair hot tubs make more than I do," says Garner.
"You'd probably pull your hair out if you calculated how much you're making per hour," says Brian Peters of the Lewiston Tribune. Peters, 34, who just received his Masters degree from Northwestern University (way to go, Brian--my alma mater, too) says he loves the diversity of issues he covers at the legislature.
"Every day seems to bring another issue to become knowledgable about," he says, which he enjoys despite the fact that he often works from 8 AM to 8 PM.
For Julie Pence, the issues are familiar. Before becoming a reporter, she was a teacher in the Twin Falls area for 20 years. Pence, who is in her 50s and was once also a welder, has been reporting for the Twin Falls Times-News for the past eight months. Even though she has to leave her husband and her dog behind in the Magic Valley to live here for three months, "I've never had so much fun."
Because there is little or no competition between the papers, reporters often share information with each other about meeting times and contacts. Veteran statehouse reporters like Bob Fick, Mark Warbis and Betsy Russell are gracious about sharing what they know.
But there's still the internal competition to break a story, something no one else in the bullpen has. When that happens, other reporters are often the first to congratulate that person.
"There's a sense of friendly rivalry and camaraderie that may be unique to this beat," says Betsy Russell of the Spokesman-Review.
I've heard it said that reporters have lost their edge,that reporting is nothing but fluff and entertainment. In many venues, that may be the case. Here at the Idaho legislature, I'm convinced that there is still good old fashioned reporting occuring. Betsy Russell even had to replace a pair of shoes after last session.
Plus, it can be fun. "The governor knows my first name," says Hem. "That's cool."